A peculiar guide to large-scale cooperation and achievement, disguised as a sci-fi fable.
Diverse alien cultures predating the Big Bang face the contracting of their universe and attempt to survive the Singularity apocalypse.
This sci-fi novel by Zecola (The Race to Cure Parkinson’s Disease, 2011, etc.) draws a quick picture of the teeming universe before the storied Big Bang, when space was in a period of gradually increasing contraction. The early encyclopedia-like (akin to The Hitchhiker’s Guide to the Galaxy) chapters describe four alien worlds and the intelligent life on them. They also reveal how these beings reacted once they perceived an approaching apocalypse, with their universe inevitably fated to collapse into a tiny, hot, dense Singularity. Some religion-centered beings simply opt to do nothing, believing their souls will persist in the afterlife and that’s that. On a different planet, egg-shaped inhabitants of surpassing intellect—but not the best at public administration—could eventually think of a solution (in fact, it was these aliens’ runaway technology that triggered the approaching doom). But they lack the means to implement it, as internal revolt wracks their flawed society. Another civilization includes invisible mutants who are able to elude the giant, saurian predators roaming their planet. But the Singularity threatens this sphere’s equilibrium. And one world hosts three intelligent life forms who “cohabitate and thrive in a shared setting,” an ability that could “prove very useful” in the challenges ahead. In his short book, Zecola’s strange payoff is that the beings on each of the four planets have some of the key ingredients to solve the problem of how to survive the Big Bang. Only by seeing past their differences, communicating with one another, and fully cooperating in the centuries-long countdown will they be able to pull it off. The author lucidly shows this as an example of supreme project management, deftly pinpointing examples of altruism, foresight, and the act of leaving the “forces of evil” at the door. (Or the wormhole, or the porthole, or whatever.) Employing puns in the names of places and species (“Mulligans,” “Broadcoms,” etc.) gives the material a fable aspect. Readers interested in extensive project management will discover some helpful advice here. But traditional genre fans will likely find that the tale delivers lots of bullet-point sermonizing.
A peculiar guide to large-scale cooperation and achievement, disguised as a sci-fi fable.Pub Date: Nov. 20, 2017
ISBN: N/A
Page Count: 77
Publisher: CreateSpace
Review Posted Online: Jan. 20, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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