Historically fascinating and emotionally gripping: another success for Davies.
A striking seventh novel from British scholar and critic Davies (Four Dreamers and Emily, 1997, etc.) examines the revolutionary passion of two women separated by 400 years.
When Olivia’s mother dies, the teenaged girl and her father acquiesce in the dead woman’s wish to be buried in the yard of Pinfold, the home that’s been in the family for generations. While digging a grave for the devout Quaker, the two come upon the remains of a 17th-century woman. More startling, and of particular interest to the archaeologists brought in, is the artifact she’s buried with: a scold’s bridle, a gruesome device of torture once used to silence troublesome women and heretics. For the stoic Olivia, fascination with the dead woman first serves as a distraction from the death of her mother, then turns into a more generalized obsession when she goes off to college and becomes a historian. Her unorthodox teaching methods and overt masculinity manner win her few friends, though the independent Olivia cares less about her contemporaries than about her mission to find the identity of the woman she unearthed all those years ago. When the skull of the woman identifies her as one Hannah Jones, Olivia begins searching in earnest. As historian/detective, she painstakingly uncovers documents that illuminate Hannah’s extraordinary life as one of England’s earliest Quaker proselytizers. With her “yoke-fellow” (wife and religious helpmate) Isabel Clarke, Hannah roamed the countryside as a religious and social anarchist, frequently tortured and imprisoned, until finally she was executed and buried in shame with the bridle. Using “found” documents, Davies builds an exacting portrait of the turbulent time and instills a quiet majesty in her subjects. Fierce, bewitching Hannah, humble Isabel, even misanthropic Olivia—all lend a compelling dignity to this little gem.
Historically fascinating and emotionally gripping: another success for Davies.Pub Date: Nov. 15, 2000
ISBN: 0-7043-4659-1
Page Count: 228
Publisher: Women’s Press/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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