by Stew Mosberg ‧ RELEASE DATE: Aug. 2, 2017
Often engrossing tales of ordinary people in extraordinary circumstances.
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Mosberg’s (In the Shadows of Canyon Road, 2015) collection offers a series of mostly tragic stories set at different points in history.
David, the journalist protagonist of the opening tale, “A Bad Idea,” wants to write a story on the sex trade in Thailand. But a sudden trip to another country could wreck his already strained relationship with his girlfriend, Bridget. The people in Mosberg’s tales often confront weighty, impending changes, such as a professional boxer facing the possible end of his career (“Carmine’s Fight”). Other times, they must learn to cope with distress: a man’s beloved wife battles cancer in “Douglas and Louise,” while Geoff Coleman in “Traveling Companion” decides on his next course of action after a doctor diagnoses him with an inoperable brain tumor. Mosberg’s concise prose fosters lucid imagery, such as a young man sitting at the bedside of his dying father, who’s “smoothing his son’s hair, which had been dutifully cut a few inches shorter only minutes before” (“Siblings”). But the author truly excels at creating distinctive characters and settings: in one tale, a cop’s simple excursion to the supermarket in “The Organist” takes a devastating turn, and real-world historical events, including the Vietnam War, play crucial roles in others. Even occasional sci-fi or supernatural elements are made relatable and familiar; for instance, in “Copies,” set in the mid-22nd century, a man endures a monotonous conversation with a sales rep just so he can order new technology. Also among the 31 yarns is a police procedural (“Hidden”) and a tale of an archaeological dig (“Transparent”) with uncanny, if predictable, results. In a collection filled with strong emotion, the standout tale is the rather lighthearted “The Plan,” in which hapless Harlan, who can’t hold a job, concocts a scheme involving a rich widow that isn’t likely to go the way that he hopes.
Often engrossing tales of ordinary people in extraordinary circumstances.Pub Date: Aug. 2, 2017
ISBN: N/A
Page Count: 373
Publisher: Full Court Press
Review Posted Online: July 13, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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