by Stewart David Ikeda ‧ RELEASE DATE: June 5, 1996
A Japanese-American's experience in a WW II internment camp offers both insight and a bit of melodrama—a combination that provides mostly favorable results. In the last year of the war, California horticulturist William Fujita finds himself on a barren hill farm in Massachusetts. He has lost everything: his thriving nursery in Pasadena, his mother, even his wife and only child, who have died in one of the internment camps into which Japanese-Americans have been herded. Fujita's future seems as bleak now as this farmland called Widow's Peak. Requested for his horticultural skills, Fujita has been released from a camp in Arizona in order to plan and create a working farm on widow Margaret Kelly's land. She and neighbor Livvie Tufteller, a recent widow herself, decide to combine property, and the three make an easy alliance to bring the land back to life, though not without town opposition to the presence of the ``enemy.'' Through flashbacks, the history of Fujita's life is traced, from his difficult beginnings in segregated turn-of-the-century Los Angeles to his later prosperity and (briefly) happy family life. Ikeda describes with vivid detail the anger, confusion, and helplessness the Fujita family experience as Japanese-Americans are rounded up and forced into camps. Back on the farm Fujita slowly claims Margaret and Livvie, and Livvie's small boy Garvin, as a new sort of family, and the prospering farm serves as a symbol (if a rather weighty one) of renewal after the war. Despite a rather simplistic wrapping-up of lives (extended to included the future lives of all the characters), this is a solid exploration of difficult times—a first novel that is never so weighed down by politics as to overshadow the importance of the personal stories at its center. ($35,000 ad/promo; author tour)
Pub Date: June 5, 1996
ISBN: 0-06-039164-2
Page Count: 464
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Amy Tan ‧ RELEASE DATE: March 22, 1989
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one...
An inordinately moving, electric exploration of two warring cultures fused in love, focused on the lives of four Chinese women—who emigrated, in their youth, at various times, to San Francisco—and their very American 30-ish daughters.
Tan probes the tension of love and often angry bewilderment as the older women watch their daughters "as from another shore," and the daughters struggle to free themselves from maddening threads of arcane obligation. More than the gap between generations, more than the dwindling of old ways, the Chinese mothers most fear that their own hopes and truths—the secret gardens of the spirit that they have cultivated in the very worst of times—will not take root. A Chinese mother's responsibility here is to "give [my daughter] my spirit." The Joy Luck Club, begun in 1939 San Francisco, was a re-creation of the Club founded by Suyuan Woo in a beleaguered Chinese city. There, in the stench of starvation and death, four women told their "good stories," tried their luck with mah-jongg, laughed, and "feasted" on scraps. Should we, thought Suyuan, "wait for death or choose our own happiness?" Now, the Chinese women in America tell their stories (but not to their daughters or to one another): in China, an unwilling bride uses her wits, learns that she is "strong. . .like the wind"; another witnesses the suicide of her mother; and there are tales of terror, humiliation and despair. One recognizes fate but survives. But what of the American daughters—in turn grieved, furious, exasperated, amused ("You can't ever tell a Chinese mother to shut up")? The daughters, in their confessional chapters, have attempted childhood rebellions—like the young chess champion; ever on maternal display, who learned that wiles of the chessboard did not apply when opposing Mother, who had warned her: "Strongest wind cannot be seen." Other daughters—in adulthood, in crises, and drifting or upscale life-styles—tilt with mothers, one of whom wonders: "How can she be her own person? When did I give her up?"
With lantern-lit tales of old China, a rich humanity, and an acute ear for bicultural tuning, a splendid first novel—one that matches the vigor and sensitivity of Maxine Hong Kingston (The Warrior Woman, 1976; China Men, 1980) in her tributes to the abundant heritage of Chinese-Americans.Pub Date: March 22, 1989
ISBN: 0143038095
Page Count: -
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1989
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