by Stieg Larsson ; translated by Reg Keeland ‧ RELEASE DATE: Sept. 19, 2008
Juicy melodrama obscured by the intricacies of problem-solving.
First U.S. publication for a deceased Swedish author (1954–2004); this first of his three novels, a bestseller in Europe, is a labored mystery.
It’s late 2002. Mikael Blomkvist, reputable Stockholm financial journalist, has just lost a libel case brought by a notoriously devious tycoon. He’s looking at a short jail term and the ruin of his magazine, which he owns with his best friend and occasional lover, Erika Berger. The case has brought him to the attention of Henrik Vanger, octogenarian, retired industrialist and head of the vast Vanger clan. Henrik has had a report on him prepared by Lisbeth Salander, the eponymous Girl, a freaky private investigator. The 24-year-old Lisbeth is a brilliant sleuth, and no wonder: She’s the best computer hacker in Sweden. Henrik hires Mikael to solve an old mystery, the disappearance of his great-niece Harriet, in 1966. Henrik is sure she was murdered; every year the putative killer tauntingly sends him a pressed flower on his birthday (Harriet’s custom). He is equally sure one of the Vangers is the murderer. They’re a nasty bunch, Nazis and ne’er-do-wells. There are three story lines here: The future of the magazine, Lisbeth’s travails (she has a sexually abusive guardian) and, most important, the Harriet mystery. This means an inordinately long setup. Only at the halfway point is there a small tug of excitement as Mikael breaks the case and enlists Lisbeth’s help. The horrors are legion: Rape, incest, torture and serial killings continuing into the present. Mikael is confronted by an excruciating journalistic dilemma, resolved far too swiftly as we return to the magazine and the effort to get the evil tycoon, a major miscalculation on Larsson’s part. The tycoon’s empire has nothing to do with the theme of violence against women which has linked Lisbeth’s story to the Vanger case, and the last 50 pages are inevitably anticlimactic.
Juicy melodrama obscured by the intricacies of problem-solving.Pub Date: Sept. 19, 2008
ISBN: 978-0-307-26975-1
Page Count: 480
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2008
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More In The Series
by Karin Smirnoff ; translated by Sarah Death
by Karin Smirnoff ; translated by Sarah Death
by David Lagercrantz ; translated by George Goulding
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by Stieg Larsson & translated by Reg Keeland
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by Stieg Larsson and translated by Reg Keeland
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PROFILES
BOOK TO SCREEN
by Patricia Highsmith ‧ RELEASE DATE: Nov. 30, 1955
....is a young man of no means, and expensive tastes, and his nerveless, conscienceless progression is traced from the time when Tom Ripley is sent to Italy to retrieve an expatriate son, Dickie Greenleaf. Ripley attaches himself to Dickie, is annoyed by the adhesive Marge who is in love with Dickie and wary of Tom, and finally when Dickie's friendship cools he kills him and assumes his identity. For several months he lives comfortably on Dickie's income, but a former friend jeopardizes his new security, and he is forced to kill again. This time not only the police- but Marge and Dickie's father are alerted; Tom is forced to assume his old identity but his resilient resourcefulness keeps him immune. The virtuosity here- more than anything else-will pin you to the page.
Pub Date: Nov. 30, 1955
ISBN: 0393332144
Page Count: 292
Publisher: Coward-McCann
Review Posted Online: April 3, 2012
Kirkus Reviews Issue: Nov. 1, 1955
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More by Patricia Highsmith
BOOK REVIEW
by Patricia Highsmith ; edited by Anna von Planta
BOOK REVIEW
by Patricia Highsmith ; edited by Anna von Planta
BOOK REVIEW
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BOOK TO SCREEN
by Koji Suzuki & translated by Robert B. Rohmer & Glynne Walley ‧ RELEASE DATE: May 1, 2003
You have seven days to live after reading this review. Is that your phone ringing?
First in a trilogy by a newcomer publishing house that promises high-class works from Japan.
Ring has sold three million copies in its native country, says Vertical, been filmed there, and the film remade here as a postmodern horror mystery released by DreamWorks as The Ring. In one month in 1990, four Japanese students who live fairly near each other die mysteriously of heart failure. Tomoko Oishi dies in the family kitchen, Shuichi Iwata on his motorcycle while waiting for the light to change at an intersection, and Haruko Tsuji and Takehiko Nomi in the front seat of a car while undressing for sexplay. All four have faces constricted with horror and seem to be pulling their heads off or blinding their vision. Tomoko happens to be the niece of Kazuyuki Asakawa, a journalist, who links all the deaths and sees a story in it. Japanese journalism has been through a heavy period of occult reports, and Asakawa’s editor only hopes it has all died down. A card Asakawa finds in Tomoko’s desk leads him to discover that all four victims had watched a video tape they’d been warned against viewing—a tape, as it happens, that’s something of a virus (in Asakawa, its horrific images cause sweat and shortness of breath). Then comes the message: Those who view these images are fated to die at this exact moment one week from now. If you do not wish to die, you must follow these instructions exactly . . . . Then the phone rings (hence Ring) and unspeakable bugs invade Asakawa until he slams down the receiver. Too late, though: he has a week to live. He brings in brainy Ruiji to help him, and Ruiji watches the tape. This stifling sense—is it an evil energy? Then Asakawa’s wife and daughter watch it . . . .
You have seven days to live after reading this review. Is that your phone ringing?Pub Date: May 1, 2003
ISBN: 1-932234-00-4
Page Count: 352
Publisher: Vertical
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
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