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BEAUTY AND THE BEAST

3D INTERACTIVE POP-UP BOOK

Perfunctory of storyline and unsubtle of decoration, but with a rich and smoothly responsive array of animations, dissolves,...

Swiveling, aesthetically saccharine 3-D pop-up scenes built around a diverse suite of drag-and-tap challenges will engage young readers far more than the classic story’s cursory rendition.

The app opens with a prince’s punishment for rudeness to a scruffy visitor: “Oh no! The witch has trapped the prince inside a giant rock. Tap it to help him escape! ‘Aaaargh! She’s turned me into a horrible Beast!’ ” Once he’s been turned into a comically furry, rotund monster, the familiar story plays out. He showers Belle (the “most beautiful of all,” but “bold and adventurous too”) and her dog Max with gifts before regaining his looks and marriageability by her kiss. The happy couple (plus dog) make up a final tableau that wriggles and emits bursts of floating pink hearts with every tap. Before that, dexterous viewers can save Belle’s father from a wolf and guide him through a snowy maze to a rosebush, sort falling leaves by color, assemble luscious desserts, beat Beast at increasingly quick games of pingpong and like diversions. An index icon on every screen allows quick skipping to any of the nine pop-up spreads (interspersed pages of text are not indexed). Readers can select silent, audio or autoplay options from a “Parent Center” hidden behind an easily foiled trick access.

Perfunctory of storyline and unsubtle of decoration, but with a rich and smoothly responsive array of animations, dissolves, transitions, sound effects and interactive activities. (iPad storybook app. 5-9)

Pub Date: April 25, 2013

ISBN: N/A

Page Count: -

Publisher: StoryToys

Review Posted Online: May 21, 2013

Kirkus Reviews Issue: June 15, 2013

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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