In Fox's second novel (Black Fire, 1992), investigative reporter Doyle Mulligan returns for another convoluted romp in an exotic locale. This time Mulligan is cracking jokes and murder mysteries in a racially divided Australia. Sent to cover a controversial art exhibit turned inferno, Mulligan is unwittingly embroiled in the arson plot along with two rival journalists, two Ularu natives, and Maggie McDowel, a reporter of Mulligan's ``favorite sex.'' Mulligan chases one of the Ularu suspects out of the exhibit and ends up on a train bound for the outback along with Maggie, both Ularus, and an unidentified six-legged monster. There is some romantic tension between Mulligan and Maggie when they find themselves alone in a sleeper car for two; Maggie seems ready to ditch her fiancÇ because he holds his breath when he kisses—this idiosyncrasy becomes one of the novel's many unfunny running jokes—but nothing comes of it. Instead, Mulligan and Maggie are thrown off the train and they meet up with Jim Jim, the Ularu they have been chasing. Jim Jim leads them safely back to Sydney, where both Mulligan and Jim Jim are arrested for arson, there is another fire, and Jim Jim takes his first shower. They all eventually end up in the Ularu sacred tribal lands, the center of Australia's racial disharmony because a man named Killian has bought large tracts of it. Killian—the link connecting all the various characters and plotlines—plans to develop the area into...well, something. The development is not, however, nearly as interesting as Mulligan thinks it is. An occasionally witty book peopled with caricatures. Fox relies heavily on deus ex machina maneuverings to make up for an ultimately unmanageable plot.

Pub Date: May 1, 1994

ISBN: 0-312-85366-1

Page Count: 352

Publisher: Forge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1994

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An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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