by Stuart Stevens ‧ RELEASE DATE: Nov. 1, 1994
In his flip, unfunny first novel, travel writer Stevens (Malaria Dreams, 1989, etc.) offers the familiar view of American political campaigning as mud-wrestling. Two brothers are slugging it out in the sweltering late- October heat of the Deep South with six days left to the election. Congressman Luke Bonney is running for the US Senate; his brother, Matt, is a top Washington consultant and adviser to Luke's rival, Governor Solomon Jawinski. The brothers belong to their unnamed home state's leading political family. Their father, Powell Bonney, was a segregationist governor in the '60s who took a Wallace-like stand against school integration; Luke has never forgiven him for his mysterious decision to quit after his first term, and the two have not spoken in years. There are no issues in the present race, just the personalities of Luke (an intense, 37-year-old go-getter) and the much older Jawinski (a ``Polish-Jewish redneck''); the latter, a lovable buffoon regrouping after a messy divorce, is the more vulnerable to negative TV ads until Jawinski's pollster finds three black male prostitutes who allege they have had sex with Luke (a charge Stevens has borrowed from the 1983 Mississippi gubernatorial race). Luke decides he should announce he's been sleeping with Matt's wife, Lisa (also a congressperson): ``It's counter-punch time or I'm belly up.'' It's a silly idea—though no sillier than Luke's media adviser shooting himself to distract attention from Jawinski's superior debate performance—and, typically, it goes nowhere; Stevens often toys with developments, then walks away from them. Similarly, a more serious story about Washington marriages pops up occasionally, only to be displaced by shenanigans. Stevens, himself a political consultant, knows the territory but doesn't have the wit or inventiveness to make it memorable in fiction.
Pub Date: Nov. 1, 1994
ISBN: 0-87113-582-5
Page Count: 352
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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