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THE LAST MURDER AT THE END OF THE WORLD

“Don’t go in the water” takes on new meaning in Turton’s brainy thriller.

It’s doomsday eve on a small Greek island where the last post-apocalyptic community on earth will be destroyed unless a murdered scientist’s secret research can be uncovered.

The rest of the world ended 90 years ago, just as humankind was close to overcoming climate change. Now, a lethal black fog is approaching the island, where 122 villagers live peacefully, albeit with an unreliable female AI voice inside their heads. All but the rebellious woman Emory are content not to question geographical boundaries they are not allowed to cross or mysterious programming that can wipe their memories, make them fall asleep at 8:45 p.m. every night, and die at 60—a bum deal considering the extraordinarily long lives of the three elders, including Niema, the murder victim. A brilliant scientist who in another lifetime was awarded two Nobel Prizes and later devised the barrier blocking the fog, she was 173. Hours after announcing she would reveal hidden truths about the island and the extreme experiments she was conducting to safeguard its future, she was stabbed to death. Solving her murder is key to saving the island. Turton, who specializes in odd, raging conflicts in closed settings—a London manor in The 7 1/2 Deaths of Evelyn Hardcastle (2018); a cursed 17th-century ship in The Devil and the Dark Water (2020)—here takes on a bunch of big themes including the nature of existence and the value of life. H.G. Wells’ The Island of Doctor Moreau, without the monsters, comes to mind. Long and talky and light on characterizations, Turton’s latest is a bit mechanical in the telling, perhaps owing to the AI’s role as narrator. But it’s a fresh twist on dystopian fiction with its share of surprises.

“Don’t go in the water” takes on new meaning in Turton’s brainy thriller.

Pub Date: May 21, 2024

ISBN: 9781728254654

Page Count: 368

Publisher: Sourcebooks Landmark

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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THE FRENCH ILLUSION

The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.

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What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.

When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”

The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.

Pub Date: Sept. 29, 2026

ISBN: 9780385550543

Page Count: 352

Publisher: Doubleday

Review Posted Online: Aug. 17, 2026

Kirkus Reviews Issue: Sept. 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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