Apart from all the big names tossed in to cow Casselli, Woods mostly soft-pedals the usual gratuitous inflation and...
A former New York Mafioso who’s fled home to Italy kidnaps the latest inamorata of the redoubtable Stone Barrington (Hot Pursuit, 2015, etc.). Big mistake.
Stone’s flown the Atlantic at an hour’s notice, flirting en route with painter Hedy Kiesler, to vote in favor of opening a new Arrington Hotel in Rome. No sooner have the contracts been signed than trouble erupts. The unfinished hotel already standing abandoned on the site is torched; Stone’s borrowed car is stolen and set alight as well; he gets several increasingly overt threats encouraging him to go home and forget the deal; and it’s clear that they’re coming from Leonardo Casselli, the patriarchal mobster who just hates being called Leo. Packing Hedy off from his hotel bed in Rome to another bed in Paris, Stone stays just long enough to read the riot act in response to Casselli’s suave luncheon offer of extortionate “protection,” threatening him with the extensive resources of Massimo Bertelli’s Italian Anti-Mafia Investigative Department; Stone’s unfathomably wealthy business partner Marcel duBois; his buddy Mike Freeman’s company, Strategic Services; his even closer buddy Commissioner Dino Bacchetti’s New York Police Department; and President Katharine Rule Lee, another close personal friend. Then he hastens back to Rome, leaving Hedy in his Paris house, from which she’s promptly abducted. Stone soon finds out that Casselli’s holding Hedy in an impregnable house on the Amalfi coast; Casselli soon finds out that Stone wasn’t kidding about all those connections.
Apart from all the big names tossed in to cow Casselli, Woods mostly soft-pedals the usual gratuitous inflation and extraneous subplots, keeping things simple, straightforward, and pleasantly predictable.Pub Date: Oct. 27, 2015
ISBN: 978-0-399-17467-4
Page Count: 320
Publisher: Putnam
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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