by Stuart Woods ‧ RELEASE DATE: May 1, 1998
Even though Stone Barrington is back from the Caribbean (Dead in the Water, 1997), the debonair attorney-adventurer seems to spend half his time, as the title indicates, in the water—though mostly, like the book, treading water or plain floundering. A panicked call from movie star Vance Calder, who married Stone’s longtime lover Arrington Carter three months ago, tells Stone that Arrington has disappeared and begs him for help. But by the time Centurion Studios’ private jet lands Stone in La-La Land, Vance is singing another tune: Arrington’s fine, she’s just overwhelmed by her pregnancy, she’s gone away to think things over, she’s phoning Vance every day. The first, vastly more entertaining half of the resulting tale is nothing more than a series of artless detours away from Arrington, each detour paved with superlatives. Stone presses flesh with wheeler-dealer David Sturmack, the most powerful man in Hollywood. Centurion boss Louis Regenstein, who thinks Stone would make a great actor, gets him a screen test, the best anybody’s ever seen. Even the folks in wardrobe rave. (Stone’s a perfect 42 Long.) Meantime, Stone’s struck up intimate relations with two strikingly beautiful women whose deepest loyalties aren—t to him. He’s also taken an instant suspicion to big-time banker Onofrio Ippolito—and so have we, thanks to a heavy-handed prologue that showed Stone plummeting to a watery grave, courtesy of the Ippolito anchor he’s chained to. Once Stone gets loose from that anchor, it’s time for the second, far more obligatory installment, as he sets about rescuing Arrington, who’s obviously been kidnaped, and tracing the crime (and many others) to Ippolito, Sturmack, and Co., with the help of some antique trickery (rescues from sinking ships, bullet-firing pens) that wouldn’t have raised an eyebrow in the earliest James Bond films. Such leftovers don’t make very tasty or nutritious fare, not even when the virtues of every predictable scrap are extolled at the top of the author’s stentorian voice.(Book-of-the-Month Club alternate selection; $250,000 ad/promo)
Pub Date: May 1, 1998
ISBN: 0-06-018369-1
Page Count: 313
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Nora Roberts ‧ RELEASE DATE: Sept. 1, 2003
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...
Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.
Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.Pub Date: Sept. 1, 2003
ISBN: 0-399-15106-0
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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