A fine, deeply felt saga of lives caught up in progress that’s as heartbreaking as it is hopeful.
Class and cultural rifts in booming Singapore tear apart families and lovers in Lim’s (Fistful of Colors, 2003) affecting, lushly textured historical novel.
Singapore in the 1960s and 1970s isn’t yet a glittering metropolis—instead, it’s a warren of squatters’ shacks and crowded alleys, where young Wong Ping-ping struggles to survive. Her mother, Yoke Lan, a beautiful nightclub singer/courtesan who plays a Chinese instrument called the pipa, left her for Hong Kong to seek her fortune. Ping sleeps in a cage in a rooming house, working in the landlord’s cafe and local markets to earn money for school books. Her boon companion is Weng, the son of a poor family, who dreams of being a flautist; his father, a river worker, is also a pipa virtuoso who takes Ping on as a student. They lead a threadbare but rich existence in the multiracial bustle of Singapore’s Chinatown and along the colorful, decrepit banks of the city’s river. But then Yoke Lan returns with a rich husband, and Ping moves to their grand house, posing as a distant relative to hide her mother’s disreputable past. Ping’s new life is wonderfully advantaged but loveless and tense; meanwhile, her deepening involvement with Weng becomes complicated by their starkly diverging fortunes. Her stepfather’s business moves to evict Weng’s neighborhood from a riverfront where land values are skyrocketing along with Singapore’s economy. Fate carries Ping to America, and after decades, she returns to take stock of her fraught relationships with Yoke Lan and Weng. Singaporean novelist Lim paints an evocative, atmospheric portrait of old Singapore and its vigorous, sometimes-brutal transition to modernity. She shows readers deeply rooted communities bulldozed to make way for grandiose developments; populist movements pitted against brusque bureaucracies and police strong-arming; and traditional cultures crumbling before a new ethos of on-the-make capitalism and technocratic expertise. Her well-drawn characters bear the scars of this history—Yoke Lan, for example, is a bundle of brittle social ambitions and insecurities as she tries to fit in with the elite—yet they retain their vibrant individuality as they struggle to keep their feet amid the upheaval. Lim tells their story in prose that’s subtle, cleareyed and lyrical, linking a city’s rise with the emotional travails of its inhabitants.
A fine, deeply felt saga of lives caught up in progress that’s as heartbreaking as it is hopeful.Pub Date: May 27, 2014
ISBN: 978-1-906582-98-2
Page Count: 363
Publisher: Aurora Metro Press
Review Posted Online: June 18, 2015
Kirkus Reviews Issue: July 15, 2015
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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