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IN THE SHADOW OF FAME

A MEMOIR BY THE DAUGHTER OF ERIK H. ERIKSON

A memoir of potentially broad appeal muffled by theoretical material: the latter belongs in another book.

Reflections on fame by a woman who witnessed its effects on her parents, lived in its shadow for many years, and then studied it as a psychological phenomenon.

Erik H. Erikson’s book Childhood and Society (1950) made him a celebrity when his daughter was 13. Young Sue was uneasily aware that the public image of her parents as an exceptionally gifted couple with valuable insights into human relationships was at odds with her experience of them as real, tormented people with unresolved issues. The most painful of these concerned the Down syndrome baby her mother gave birth to when the author was five. He was immediately placed in an institution, but her parents told her the baby had died, and she did not learn the truth for eight years. This abandoned, handicapped child, Bloland believes, was the emotional centerpiece of Erikson family life. The appearance of normality was essential to her father’s professional reputation; she was instructed never to misbehave in public, never to act in any way that might indicate that her parents were other than ideal. The author was well into adulthood before she understood the harmful effects of such stultification on her own sense of self-worth. In addition to recounting what it was like growing up in such a household, Bloland delves into her parents’ pasts, finding in their early experiences of parental rejection the explanation for their overwhelming need to be admired by others and to achieve fame. In time, as Boland underwent psychoanalysis and trained to become a psychotherapist, she concluded that a paradoxical relationship always exists between an idealized public image and the private self. As a professional, she decided to focus her attention on issues related to fame, the drives associated with it, and its emotional fallout. Her thoughts on those matters make up the later chapters, which are likely to be of interest primarily to other mental-health professionals.

A memoir of potentially broad appeal muffled by theoretical material: the latter belongs in another book.

Pub Date: Feb. 7, 2005

ISBN: 0-670-03374-X

Page Count: 240

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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