by Sue Fliess ; illustrated by Simona Sanfilippo ‧ RELEASE DATE: Oct. 1, 2019
Not very nice.
Some advice for pulling the wool over Santa’s helpers’ eyes.
While the trademarked Elf on the Shelf isn’t explicitly mentioned, its all-seeing power is clearly referenced in this story about helping children stay off Santa’s naughty list. Worried kids with a range of skin tones and hair colors are addressed by the text, which asks, “what if you could trick [the elf] so that you can sneak a look? Maybe you can change his mind…and what goes in his book!” Elf distraction is the goal, and the rhyming couplets say that the best way to divert an elf’s attention is to “construct a tiny Christmas sleigh that only he could fly.” Subsequent spreads give step-by-step instructions and materials suggestions for the project, ultimately providing a guide for readers to build their own sleighs to distract the elves that spy from their shelves. In a twist at the end, the elf is so delighted by the sleigh that he rewards the children by affirming that they are on the nice list. A letter addressed to them, not a list after all, provides this affirmation, but it also could be read as suggesting bribery as a good strategy for niceness. This stance undermines the culminating message that “giving from your heart…[is] what good people do” since the children clearly had ulterior motives for their sleigh building.
Not very nice. (Picture book. 4-7)Pub Date: Oct. 1, 2019
ISBN: 978-1-5107-4430-1
Page Count: 32
Publisher: Sky Pony Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Sue Fliess & Ann Marie Stephens ; illustrated by Alexandra Colombo
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Mike Lowery
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SEEN & HEARD
SEEN & HEARD
by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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