Grafton’s endless resourcefulness in varying her pitches in this landmark series (W Is for Wasted, 2013, etc.), graced by...

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From the Alphabet series , Vol. 24

What does X stand for? Xanakis, XLNT, maybe even Father Xavier, all features of Kinsey Millhone’s dense, meaty 24th case.

The drought of 1989 is causing anxiety all over Santa Teresa, but money seems to have rained down on Kinsey’s latest client, Hallie Bettancourt, who’s seeking the current whereabouts of just-released robber Christian Satterfield, the son she had when she was only 15. Kinsey makes a few calls, rings a few bells, tracks down the address, and sends it on to the client, only to discover that everything Hallie told her, from her name to her relationship with Satterfield, was false. To add insult to injury, one of the $100 bills Hallie, or whoever she was, insisted on paying Kinsey is one of the same bills wealthy Ari Xanakis used two years ago to ransom a Turner painting back for $25,000 from his ex-wife, Teddy, who’d taken it upon herself to add it to the divorce settlement. Meanwhile, Kinsey’s gotten involved in another equally messy case, driven by her unwelcome suspicion that her late colleague Pete Wolinsky—hired years ago by salesman Ned Lowe’s attorney, Arnold Ruffner, to dig up dirt that would impeach the testimony of Taryn Sizemore, who’d accused him of harassment and stalking—had cast his net further and decided to blackmail either Lowe or someone else connected with the case. Showing as much initiative as Hallie or Pete and a lot more rectitude, Kinsey resolves to close the book on Pete’s shadowy game and to return a pair of sentimental religious keepsakes she’d found hidden in Pete’s files to their rightful owner. A droll drought-driven subplot revolving around Henry Pitts, Kinsey’s ancient landlord, is the icing on the cake.

Grafton’s endless resourcefulness in varying her pitches in this landmark series (W Is for Wasted, 2013, etc.), graced by her trademark self-deprecating humor, is one of the seven wonders of the genre.

Pub Date: Aug. 25, 2015

ISBN: 978-0-399-16384-5

Page Count: 416

Publisher: Marian Wood/Putnam

Review Posted Online: June 3, 2015

Kirkus Reviews Issue: June 15, 2015

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Locke’s advancement here is so bracing that you can’t wait to discover what happens next along her East Texas highway.


The redoubtable Locke follows up her Edgar-winning Bluebird, Bluebird (2017) with an even knottier tale of racism and deceit set in the same scruffy East Texas boondocks.

It’s the 2016 holiday season, and African American Texas Ranger Darren Matthews has plenty of reasons for disquiet besides the recent election results. Chiefly there’s the ongoing fallout from Darren’s double murder investigation involving the Aryan Brotherhood of Texas. He and his wife are in counseling. He’s become a “desk jockey” in the Rangers’ Houston office while fending off suspicions from a district attorney who thinks Darren hasn’t been totally upfront with him about a Brotherhood member’s death. (He hasn’t.) And his not-so-loving mother is holding on to evidence that could either save or crucify him with the district attorney. So maybe it’s kind of a relief for Darren to head for the once-thriving coastal town of Jefferson, where the 9-year-old son of another Brotherhood member serving hard time for murdering a black man has gone missing while motorboating on a nearby lake. Then again, there isn’t that much relief given the presence of short-fused white supremacists living not far from descendants of the town’s original black and Native American settlers—one of whom, an elderly black man, is a suspect in the possible murder of the still-missing boy. Meanwhile, Darren’s cultivating his own suspicions of chicanery involving the boy’s wealthy and imperious grandmother, whose own family history is entwined with the town’s antebellum past and who isn’t so fazed with her grandson’s disappearance that she can’t have a lavish dinner party at her mansion. In addition to her gifts for tight pacing and intense lyricism, Locke shows with this installment of her Highway 59 series a facility for unraveling the tangled strands of the Southwest’s cultural legacy and weaving them back together with the volatile racial politics and traumatic economic stresses of the present day. With her confident narrative hands on the wheel, this novel manages to evoke a portrait of Trump-era America—which, as someone observes of a pivotal character in the story, resembles “a toy ball tottering on a wire fence” that “could fall either way.”

Locke’s advancement here is so bracing that you can’t wait to discover what happens next along her East Texas highway.

Pub Date: Sept. 17, 2019

ISBN: 978-0-316-36340-2

Page Count: 304

Publisher: Mulholland Books/Little, Brown

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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