Despite some dark moments, more honey than vinegar.
A wonderfully written debut that rather scants its subject of loss and discovery—a young girl searching for the truth about her dead mother—in favor of a feminist fable celebrating the company of women and the ties between that mothers and daughters.
The prose is lapidary, the characters diverse, and the story unusual as it crosses the color line, details worship of a black Virgin Mary, and extensively describes the lives and keeping of bees. But despite these accomplishments, the fabulist elements (bees as harbingers of death, a statue with healing powers) seem more whimsical than credible and ultimately detract from the story itself. Lily Owens, just about to turn 14, narrates this tale set in South Carolina during July 1964. Since her mother died when she was four, Lily has been raised by African-American Rosaleen and by her sadistic father T. Ray Owens, a peach farmer who keeps reminding Lily that she killed her mother. When Rosaleen is arrested and beaten for trying to vote, Lily springs her from the hospital, and they head to the town of Tiburon because its name is on the back of a cross that belonged to Lily’s mother. On the front is a picture of a black Madonna who can also be seen on the labels of jars of honey produced in Tiburon by local beekeeper Augusta Boatwright. Certain the secret to her mother’s past lies in Tiburon, Lily persuades Augusta to take them in. As the days pass she helps with the bees; meets handsome young African-American Zach; becomes convinced her mother knew Augusta; and is introduced to the worship of Our Lady of Chains, a wooden statue of Mary that since slavery has had special powers. By summer’s end, Lily knows a great deal of bee lore and also finds the right moment to learn what really happened to her mother.
Despite some dark moments, more honey than vinegar.Pub Date: Jan. 14, 2002
ISBN: 0-670-89460-5
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Edgar’s own story in the present is more compelling than the revelations of the key’s past, and the novel might have been...
The prolific master of psycho-horror returns to the mysteries of the creative process, a subject that has inspired some of his most haunting work.
This could be considered a companion piece to The Shining, offering plenty of reversals on that plot. In both cases, isolation has severe effects on the psyche of an artist, yet where the former novel found its protagonist in a lethal state of writer’s block, the latter sees a one-time building magnate transformed into an impossibly prolific and powerful painter, due to circumstances beyond his control. And where the isolation in the former had a family cut off from society by a frigid northern winter, the setting of the latter is a mysterious Florida key, lush and tropical in its overgrowth, somehow immune to commercial development. A self-made millionaire, Edgar Freemantle narrates the novel in a conversational, matter-of-fact tone. He explains how a job-site accident cost him his arm, his sanity (during the early part of an extended recuperation) and his wife (whom he had physically threatened after the accident transformed him into something other than himself). What he gained was a seemingly inexplicable command as a visual artist, particularly after his recuperation (from both his accident and his marriage) takes him to the isolated Duma Key, where the only other inhabitants are an elderly, wealthy woman and her caretaker. It seems that all three have suffered severe traumas that bond them and that perhaps have even drawn them together. Soon Edgar discovers that his art has given him the power not only to predict the future, but to transform it. He ultimately pays a steep price for his artistic gifts, particularly as his investigation of the mysteries of Duma Key lead him to discover the tragic origins of his artistic vision.
Edgar’s own story in the present is more compelling than the revelations of the key’s past, and the novel might have been twice as powerful if it had been cut by a third, but King fans will find it engrossing.Pub Date: Jan. 1, 2008
ISBN: 978-1-4165-5251-2
Page Count: 624
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
No one captures the flavor and experience of a summer place—the outdoor showers, the seafood, the sand in the...
A celebrity chef’s sudden death leaves his widow, exes, children, and best friend in a quandary.
And since this is a Hilderbrand novel, is there any doubt that the dilemma involves Nantucket real estate? A somewhat dilapidated (or at least, dated) and decidedly downscale beachfront cottage known as American Paradise serves as plot driver and central symbol. As his success grew, Chef Deacon Thorpe bought the house with his first wife, Laurel, as a repository of happy memories for his son, Hayes—the kind that Deacon himself had been denied. (He had one idyllic day on Nantucket with his own father, who then mysteriously and permanently disappeared.) Deacon and Laurel never wanted to upgrade the house, and there are still reminders of earlier inhabitants, including a ghost supposedly occupying the smallest attic room. Now, Deacon has died (on the cottage’s back deck, of a coronary), leaving nothing but debt. American Paradise is facing foreclosure due to the three mortgages Deacon took out, unbeknownst to his family. Surprisingly, or perhaps not given Deacon’s (and Hilderbrand’s) sense of humor, he has left the place to his three spouses, current and former—Laurel, Belinda, the movie star he left her for, and official widow Scarlett, the Southern belle who was the nanny for his and Belinda's adopted daughter, Angie. Best friend Buck, Deacon’s long-suffering fiduciary, has called the wives and children to American Paradise to scatter Deacon’s ashes and—a duty Buck has been dreading—read the will. Each member of this unique blended family has a say, as they squabble over turf and mull over their past and ongoing missteps, loves, and addictions. Angie, a talented chef in her own right, prepares lavish meals (rendered in mouthwatering detail, including recipes). The question looms—if Deacon’s Nantucket legacy can’t be shared, can it be saved?
No one captures the flavor and experience of a summer place—the outdoor showers, the seafood, the sand in the floorboards—like Hilderbrand.Pub Date: June 14, 2016
ISBN: 978-0-316-37514-6
Page Count: 416
Publisher: Little, Brown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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