WAS IT A RAT I SAW?

First novel in which the identity of a brutal academic murderer lies locked in the surgically separated cerebral hemispheres of a rock musician. Handsome, sexy, upwardly mobile musician Tommy Dabrowski suffered so from epileptic seizures that he agreed to drastic treatment. Now, if his right brain knows what it's doing, it certainly isn't telling his left brain. The radical surgery has made Tommy terribly interesting to dedicated neurological researcher Dr. Clare Austen. After hours and hours and hours together in the laboratory, Tommy's healthy young body and cheeky charm have wreaked havoc with Dr. Austen's academic detachment, and it's all she can do to keep her mind on her neurological hypotheses. Researcher and subject are thrown closer together than ever when a fiend takes to bashing in the skulls of Dr. Austen's colleagues. Tommy collides with the murderer in a dark hallway and feels the monster up well enough to figure out who it is. But, alas, Tommy's feeling skills are on the wrong side of the gap from his chatting skills, and he can't tell Clare who it was he had a hold of. Clare begins a series of lab sessions to pry the secret from the recalcitrant lobe. The sessions are so many and so long and there are so many terrifyingly close encounters with the crazed killer that the exhausted experimenters fall victim to their mutual, unscientific lust. Clare's boyfriend pouts, Tommy's wife sulks, but they must take a backseat to research. The murderer is closing in.... Four times as long as it needs to be unless one is vitally interested in the details and variations of testing as they are applied to cerebro-cortical cross talk, in which case it's probably a rouser. Palindromes teem. Goodness knows why.

Pub Date: May 6, 1992

ISBN: 0-385-42238-5

Page Count: 448

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1992

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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