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THE PAT BOONE FAN CLUB

MY LIFE AS A WHITE ANGLO-SAXON JEW

A masterly stylist continues her uncompromising examination of the inner life.

A series of riveting essays about growing up Jewish in a Gentile world by the accomplished memoirist Silverman.

Having written haunting memoirs about being sexually abused by her father throughout her childhood (Because I Remember Terror, Father, I Remember You, 1996) and her subsequent sexual pathology (Love Sick: One Woman’s Journey Through Sexual Addiction, 2001), the author returns to another troubling theme that caused an early self-splintering. Moving between the Caribbean and New Jersey as her father pursued high-powered jobs as a government official and banker, Silverman fixated on Pat Boone as a kind of immaculate other, a talisman that would keep away all the unpleasantness from her life, such as an abusive father, stifling Christian community and Russian refugee grandmother with her strange shtetl ways. Comparing herself to a gefilte fish (not even a real fish but a “ball floating in jelly, stuffed in fish skin….All evidence of its fishness—its true identity—gone”), Silverman addresses readers in missives between chapters, imparting cohesiveness to the discrete, elliptical essays. For example, in the first essay, she writes of tracing her finger over an arresting photograph in Life magazine depicting Boone and his happy family of four daughters on a tandem bike; she was fascinated by the photo’s “whiteness,” how its “immaculate universe was safe, far away from my father’s all-too-real hands, hands that hurt me at night.” In “Endless Possibilities of Youth,” the author discusses how, as a young adult, she was told of the suicide of her Christian rival, which plunged her into a maelstrom of memory about their fickle high school boyfriend, the first of many non-Jewish men she was attracted to and who couldn’t quite accept her Jewishness.

A masterly stylist continues her uncompromising examination of the inner life.

Pub Date: March 1, 2014

ISBN: 978-0-8032-6485-4

Page Count: 248

Publisher: Univ. of Nebraska

Review Posted Online: Jan. 11, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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