Next book

DINNERTIME!

A passel of roly-poly bunnies eludes the ravenous clutches of a sly fox. A group of six rabbit siblings frolic in the fields, unaware of the danger lurking nearby. Williams’s (Let’s Go Visiting, 1998, etc.) jaunty rhyming couplets set the scene, describing the bunnies at play and their predator’s location. Each idyllic scenario is followed by the recurring refrain: “Run, fat rabbits! Run, run, run! / That fox wants to eat you, one by one!” With every leap, the feisty fox cries “Dinnertime!” From a group of six down to one sole bunny, the rabbits continue to merrily play, seemingly unaware of their dwindling numbers. Woven throughout the tale is the suspicion that the fox has consumed the missing bunnies, giving the story a Grimm Brothers feel and thrill. However, the remaining bunny’s flight down the hole reveals the entire family safely ensconced within their home. Argent’s (Nighty Night!, 2001, etc.) watercolor illustrations are both humorous and a bit hair-raising. Following the hapless bunnies is a collection of sheep, geese, and mice, which form a comical Greek chorus, crying out the warning to the youngsters. Argent cleverly reduces their numbers along with the rabbits for the edification of observant readers. With snapping jaws and sudden pounces, her depiction of the fox wavers on the edge of being frightening. However, while younger readers may be slightly alarmed, older preschoolers will enjoy the gasps and starts of this rousing tale. (Picture book. 4-7)

Pub Date: April 1, 2001

ISBN: 0-15-216471-5

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

Next book

THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

Next book

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Close Quickview