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THE HOSTAGE'S DAUGHTER

A STORY OF FAMILY, MADNESS, AND THE MIDDLE EAST

A middling book, much of it a footnote to an event that’s already well-receded into history, even though it is part of a...

A firsthand view of conflict in the Middle East.

In 1985, Shiite militia in Lebanon kidnapped Associated Press reporter Terry Anderson and held him hostage for the next six years. It wasn’t until his release in 1991 that his daughter, the author, met him for the first time, and ever after the relationship was fraught. He suffered from PTSD and was emotionally unavailable, “numb and dismissive,” while, to judge by this memoir, his daughter was emotionally needy and made her fair share of poor decisions. Drug abuse, abusive boyfriends, mental illness: all are aspects of “the legacy of trauma I was born with.” Though the author’s point is well-taken that political acts have reverberating consequences that affect people far away from the main stage, her narrative is always less interesting when the focus is on her. Her father is another matter; though clearly flawed and wounded, he emerges as a player in a political drama of a complex, sometimes nearly incomprehensible character. Anderson is at her best when she teases apart the narrative’s many threads, which number not just Hezbollah, but also the broader community of Shiite Islam, to say nothing of Israeli intelligence, the CIA, Iran, and other actors in set pieces such as the Beirut embassy bombing. The author’s vigorous on-the-ground investigation of these matters, talking with sometimes-shadowy and seldom pleasant operatives, redeems the book from its self-absorbed excesses. The narrative is also timely; though some of the cast has changed, Anderson’s depiction of the relationship between Lebanese civilians and Syrian refugees, say, shows how enmities and alliances in the region have taken years to form. Ultimately, it’s a solid but not groundbreaking contribution to understanding the multifaceted tensions of a region that seems willfully resistant to peace.

A middling book, much of it a footnote to an event that’s already well-receded into history, even though it is part of a larger conflict still unfolding.

Pub Date: Oct. 4, 2016

ISBN: 978-0-06-238549-9

Page Count: 288

Publisher: Dey Street/HarperCollins

Review Posted Online: Aug. 1, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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