A thoughtful exploration of race and class tensions in modern-day Britain and of the lingering effects of a long-ago tragedy.
A heated contest for leadership of a contemporary British labor organization drives a novel that confronts difficult issues of race and class in that nation.
When Nayan Olak and his former ally Megha Sharma, both of Indian descent, face off for the chance to serve as the first person of color to be general secretary of their union amid the Covid-19 pandemic, their campaign quickly degenerates into an ugly brawl, marred by allegations of racism and an accusation of a physical assault by one candidate against the other. The events are recounted by Sajjan Dhanoa, a writer who grew up in Nayan’s hometown of Chesterfield, England. There, two decades earlier, a fire killed Nayan’s mother and his young son as they slept in the apartment above the shop his parents owned. That event triggered the breakup of Nayan’s marriage, and he’s haunted by memories of the tragedy, especially as he cares for his father, who survived the fire and now suffers from worsening dementia and Parkinson’s disease. Amid the unrelenting pressure of the campaign, Nayan pursues a relationship with Helen Fletcher, a white native of Chesterfield who may have some connection to the fatal blaze, and whose son Brandon, an aspiring chef, has had his own disastrous encounter with racial conflict that prefigures the Nayan-Megha battle. Sahota frames the election contest as one pitting Nayan’s “transracial, working-class solidarity” against Megha’s “inclusionary neoliberalism,” which emphasizes racial identity, allowing their face-off to serve as a microcosm of these tensions within the larger British society. For the most part, that conflict emerges organically, save for a somewhat didactic rendering of it in the campaign’s climactic debate. Despite some occasionally awkward foreshadowing, the novel resolves both of its main plot threads in efficient, and satisfyingly surprising, fashion.
A thoughtful exploration of race and class tensions in modern-day Britain and of the lingering effects of a long-ago tragedy.Pub Date: April 16, 2024
ISBN: 9780593655986
Page Count: 272
Publisher: Viking
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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