A powerful picture of anorexia and binge-eating disorder that would benefit from being shorter and more targeted.
A debut memoir painstakingly re-creates a history of disordered eating.
As a young woman, This American Life editor Burton alternated between anorexia (“the world responds to thinness, and the girl subsists on its compliments”) and binge-eating disorder. She convincingly traces her body issues back several generations: As a nonagenarian on her deathbed, her grandmother wished that she could weigh herself. Burton is also haunted by her mother’s self-assessment: “I knew nobody would ever love me for my body. They would have to love me for my mind.” The author’s extremely finicky childhood eating was a sign that she “perceived food as a threat.” A traumatic upbringing—her parents’ divorce, a move from Michigan to Colorado, her mother’s alcoholism—meant she couldn’t be like the carefree teens she saw in Seventeen. Not eating, she writes, gave a pleasurable “feeling of less inside—light, relieved, unburdened.” But in November 1989, “the weekend I lost power,” she started binge-eating. Burton recounts how she would gorge herself on carbs and sweets until her belly was distended. By the time she was a freshman in college, she’d gained 50% of her body weight. The author has been a vigilant personal archivist and chooses pertinent anecdotes to exemplify her mental and physical states. For instance, after eating most of a pan of brownies, she lost control of her bowels while out running: “a moment of total abasement.” However, the surfeit of information on her high school years—friends, acting, a summer job, boyfriends, and so on—distracts from the bigger picture. The level of detail is evidence of Burton’s original aim of writing a history of teenage girlhood. While the book is a valuable addition to the literature on eating disorders—which Burton likens to heroin in their addictiveness—the focus slips, making the middle third a slog.
A powerful picture of anorexia and binge-eating disorder that would benefit from being shorter and more targeted.Pub Date: June 23, 2020
ISBN: 978-0-8129-9284-7
Page Count: 288
Publisher: Random House
Review Posted Online: Feb. 18, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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