A kooky treasure, rooted in the deeply literary, slightly askew interior world that makes this author’s work so fine.
A writing professor haunted by mysteries in her past—and by moths, bridges, unfinished student stories, and her husband’s lover’s nightguard—returns to the scene of her parents’ deaths.
This book, which centers on uncanny coincidences and a fatal bridge collapse, enters the world in the immediate wake of the collapse of Baltimore’s Francis Scott Key Bridge, adding a poignant depth charge to the sophisticated dark comedy this author is known for. Coll, who successfully mined her career as a bookstore events planner in Bookish People (2022), now gives us Cassie Klein, an endearing woman who teaches fiction at a community college and finds herself losing sleep over the predicaments never resolved in student work: “Sometimes I wonder if I am anyone at all, or just a composite of the people I know and the stories I’ve read.” But Cassie is also carrying around a few stories of her own: the very public mistakes of her Richard Gere–look-alike weatherman husband, whose relationship with their supposed family friend is revealed when the woman’s dental apparatus shows up on Cassie’s nightstand, and the enigma of her parents’ deaths in a (real) 1967 West Virginia bridge collapse when she was just 2, the same one that inspired the 2002 movie The Mothman Prophecies, starring Richard Gere as a weatherman. As the book opens, a few days before Christmas, Cassie is heading over the Chesapeake Bay Bridge to spend the holiday Jewish style (i.e., eating Chinese food) with the aunt and uncle who raised her, the former a beloved NPR personality. A moth in her car causes some problems on the way, and then, as usual, her aunt and uncle won’t answer a single question about what happened to her parents. But this time, Cassie tears out in her ancient Audi for West Virginia, where she will find everything she’s looking for, and then some. Coll’s deadpan narrative voice, once it hits you, is like when a stand-up comic finds your funny bone and you just can’t stop laughing. And yet the laughter never fails to somehow encompass the obduracy of loss and other woes of this mortal coil.
A kooky treasure, rooted in the deeply literary, slightly askew interior world that makes this author’s work so fine.Pub Date: May 21, 2024
ISBN: 9781400234141
Page Count: 352
Publisher: Harper Muse
Review Posted Online: April 17, 2024
Kirkus Reviews Issue: May 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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