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THE SILENT WOMAN

Splendid images and prose, but too much is left unsaid, leaving a splintered story at the core.

Dodd takes a sliver from the life of expressionist painter Oskar Kokoschka (1886–1980) and creates an odd, claustrophobic fictionalized biography.

Wounded and shell-shocked after WWI, Oskar takes a teaching position at the Dresden Academy and residence with the local art museum’s director. The gentlemanly Herr Posse hopes that a calming routine and a steady diet of his young housekeeper Hulda's hearty cooking will restore Oskar to health and painting. It’s not war that has driven the artist to the brink of madness, it’s Alma Mahler’s marriage to Walter Gropius. Oskar was Alma’s lover before the war; in fact, he enlisted to impress her. Now abandoned by the notorious Viennese beauty, Oskar becomes fanatically attached to her memory and obsessed with the idea of a “silent woman.” He commissions a dollmaker to create a life-sized replica of his Alma—only quieter, kinder, and more pliant. Then he enlists Herr Posse's housekeeper, whom he’s casually renamed Reserl, to serve as lady's maid to his big doll. They pretend “Madame” is alive, serving her dinner, styling her hair, dressing her for bed. The heartache behind this absurd behavior is obvious to Reserl, the true silent woman, who is secretly in love with the tortured Oskar and willing to debase herself to win his favor. She falls under the full brunt of Madame's demanding requests and suffers with the knowledge that Oskar’s eyes always look a few inches past her, even when she is sharing his bed. The art teacher who tells his students that they must really see is himself blind to reality. Dodd has intriguing material here (there was in fact an Alma doll, first mentioned in a 1986 Kokoschka biography), and she creates a restrained portrait of obsession, Oskar's and Reserl’s. But restraint seems a poor tool with which to explore passion.

Splendid images and prose, but too much is left unsaid, leaving a splintered story at the core.

Pub Date: Nov. 1, 2001

ISBN: 0-688-17000-5

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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SWIMMING LESSONS

Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.

A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.

When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.

Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.

Pub Date: Feb. 7, 2017

ISBN: 978-941040-51-5

Page Count: 368

Publisher: Tin House

Review Posted Online: Oct. 4, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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SEE ME

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...

Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.

Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?

More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.

Pub Date: Oct. 13, 2015

ISBN: 978-1-4555-2061-9

Page Count: 304

Publisher: Grand Central Publishing

Review Posted Online: Sept. 30, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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