Dunlap’s creation of occupations for side characters that seem to exist solely to help her heroine (Switchback, 2015, etc.)...
A stunt double and Zen student adds sleuthing to her resume as she asks what might have driven her brother out of town.
In spite of her job as a stunt double, Darcy Lott’s life doesn’t seem all that interesting. Maybe it’s because she’s been absorbing all the mellow energy from her Zen teacher, Leo Garson, or because her long-lost brother, Mike, has finally returned to San Francisco. Whatever the reason, events seem to pick up, even though her interest may not. Darcy discovers that Mike’s twice been sideswiped by a car and is convinced that someone’s after him. After sharing some enigmatic bits of noninformation about whom that might be, Mike disappears, but not before telling Darcy that he can handle it. Darcy, who’s not so convinced, tries to figure out who might want to attack Mike, though she’s working at a disadvantage given her limited knowledge of his life. She’s got help, after a fashion, in the form of some of her siblings, whose descriptions read like career day at a grade school: John the cop, Gary the lawyer, Grace the epidemiologist. Though her siblings want to lend a hand, they don’t have much more insight than Darcy does, and she ultimately has to depend on her own cunning tempered by her Zen take on what Leo might say. Darcy’s investigation is thrown into overdrive when she begins to suspect that her siblings may also be targets. Is the mystery about Mike, or is something bigger afoot?
Dunlap’s creation of occupations for side characters that seem to exist solely to help her heroine (Switchback, 2015, etc.) makes sense given that her writing focuses more on ends and means than enjoying the journey.Pub Date: Sept. 1, 2016
ISBN: 978-0-7278-8601-9
Page Count: 192
Publisher: Severn House
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
An overly anodyne attempt at Southern gothic.
A series of unfortunate errors consigns a Baltimore nurse to a loveless marriage in the South.
It’s 1943, and Tess, from Baltimore’s Little Italy, is eagerly anticipating her upcoming nuptials. Her frustration grows, though, when her physician fiance, Vincent, accepts an extended out-of-town assignment to treat polio patients. On an impromptu excursion to Washington, D.C., Tess has too many martinis, resulting in a one-night stand with a chance acquaintance, a furniture manufacturer from North Carolina named Henry. Back in Baltimore, Tess’ extreme Catholic guilt over her indiscretion is compounded by the discovery that she’s pregnant. Eschewing a back-street abortion, she seeks out Henry in hopes of arranging child support—but to her shock, he proposes marriage instead. Once married to Henry and ensconced in his family mansion in Hickory, North Carolina, Tess gets a frosty reception from Henry’s mother, Miss Ruth, and his sister, Lucy, not to mention the other ladies of Hickory, especially Violet, who thought she was Henry’s fiancee. Tess’ isolation worsens after Lucy dies in a freak car accident, and Tess, the driver, is blamed. Her only friends are the African-American servants of the household and an African-American medium who helps her make peace with a growing number of unquiet spirits, including her mother, who expired of shock over Tess’ predicament, and Lucy, not to mention the baby, who did not make it to full term. The marriage is passionless but benign. Although Henry tries to be domineering, he always relents, letting Tess take the nurses' licensing exam and, later, go to work in Hickory’s historic polio hospital. Strangely, despite the pregnancy’s end, he refuses to divorce Tess. There are hints throughout that Henry has secrets; Lucy herself intimates as much shortly before her death. Once the polio hospital story takes over, the accident is largely forgotten, leading readers to suspect that Lucy’s death was a convenient way of postponing crucial revelations about Henry. Things develop predictably until, suddenly and belatedly, the plot heats up in an unpredictable but also unconvincing way.
An overly anodyne attempt at Southern gothic.Pub Date: Oct. 3, 2017
ISBN: 978-1-250-08727-0
Page Count: 384
Publisher: St. Martin's
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Middling for this fine series, which automatically makes it one of the season’s highlights.
Fired from his job as Game and Fish Warden after wrapping up his colorful sixth case (In Plain Sight, 2006), Joe Pickett returns to nab the perpetrator of the perfect crime.
According to his own confession, small-time lawyer Clay McCann, feeling bullied and insulted by four campers he encountered in Yellowstone Park, shot them dead. A ingenious technicality he’s discovered, however, prevents him from being tried and convicted. Wyoming Governor Spencer Rulon, a former prosecutor, can only slap McCann’s wrist, but he’s determined to figure out what Rick Hoening, one of the victims, meant by an email that hinted at secrets that could have a major impact on the state’s financial health. So he asks Joe, now working as foreman at his father-in-law’s ranch, to poke around the park while maintaining full deniability for the Governor. The situation stinks, but Joe’s so eager to get away from his wife’s poisonous mother and go back to his old job that he agrees, and in short order there’s a spate of new killings to deal with—some committed by McCann, some not. As usual, there’s little mystery about which of the sketchy suspects is behind the skullduggery. But, as usual, the central situation is so strong, the continuing characters so appealing and the spectacular landscape so lovingly evoked that it doesn’t matter.
Middling for this fine series, which automatically makes it one of the season’s highlights.Pub Date: May 10, 2007
ISBN: 0-399-15427-2
Page Count: 288
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
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