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STARLIGHT, SHADOWS AND TEARS

LIFE UNDERGROUND: LOVE, LOSS AND THE LONG ROAD HOME

From the Starlight and Ashes Trilogy series , Vol. 2

A skillful and enjoyable blend of post-apocalyptic drama and soap opera.

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A young detective seeks to find his place in a futuristic underground colony in Feltman’s SF novel, the second in a series.

Manny Stewart is a young NYPD detective living in the underground Colony of New York in 2364; a powerful hurricane, the product of climate change, destroyed New York City and forced 7,000 survivors to resettle in its subway system. Manny married Naztazya, his high-school sweetheart, and they have a young son, Zack. Manny’s relationship with his late father, Patrick, the former police chief, was complicated: Patrick had been an abusive, hardcore alcoholic. He also ran black-market trade with Philadelphia, making the Stewart family rich. Tragedy strikes Manny when Naztazya and their unborn second child are killed in a fire. His heroic actions taken during the blaze cause his professional career to flourish, both at the New York Police Department and in the political sphere. He starts drinking brandy to dull his pain, both emotional and physical, following a back injury (“He took another generous pull and then placed the flask back in his uniform pocket, so he didn’t forget to take it with him when he left for work”). Manny also makes a potentially catastrophic discovery with profound implications for the Colony. The author deserves kudos for her vivid conception of what a climate change–ravaged world might look like. In her Colony, humanity not only survives but thrives in a situation that feels both familiar and yet very different—life goes on as the populace clings to a willful ignorance concerning ecological devastation (Feltman is subtly preachy on this topic). Manny is an easy character to root for—he received a leg up thanks to his inherited wealth, but he doesn’t lord it over people. His character is also engagingly complex; he should have learned from the bad example of his father, but he still turns to liquor during difficult times. This is an engaging tale that is optimistic about the future despite a past full of avoidable suffering.

A skillful and enjoyable blend of post-apocalyptic drama and soap opera.

Pub Date: Jan. 31, 2024

ISBN: 9781737164227

Page Count: -

Publisher: N/A

Review Posted Online: Oct. 26, 2023

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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I, ROBOT

A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.

Pub Date: Aug. 16, 1963

ISBN: 055338256X

Page Count: -

Publisher: Doubleday

Review Posted Online: Sept. 13, 2011

Kirkus Reviews Issue: Aug. 1, 1963

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