A fawning volume that focuses on the first 50 years of the celebrated writer, aviator (Lindbergh was the first woman to qualify as a glider pilot), and wife of the Lone Eagle, Charles A. Lindbergh. Hertog, a freelance journalist and photographer, acknowledges early on that she is star-struck, revealing that the woman she calls “Annie” was “my mentor and my friend”—even before they’d met. After a chance encounter with Lindbergh in an airport in 1985, Hertog “pursued” her, eventually interviewing her ten times during the ten years she devoted to the biography. The book, Hertog’s first, begins in 1927. Charles has returned to North America from his solo flight across the Atlantic and is the world’s first mega-celebrity; Anne is a daughter of privilege (her father is Ambassador to Mexico). The two eventually meet, quickly marry, and spend much of their subsequent lives flying all over the world and dodging a predacious press corps. Hertog covers in some detail the two most controversial periods of the Lindberghs’ lives—the 1932 kidnaping and murder of their son and the deep admiration that both Lindberghs felt for Nazi Germany in the pre-WWII years. (Charles was an early and enthusiastic proponent of eugenics.) In prose often precious, Hertog strives mightily to portray Anne as a gifted woman caught in the amber of convention, but another Anne emerges instead—a woman of wealth and leisure, an arrogant, deeply self-centered woman, racist and anti-Semitic (like her husband), whose treacly little books, packed with truisms, enjoyed lengthy stays on best-seller lists. In 1957, poet and critic John Ciardi was the first to declare Empress Anne wore no clothes, but Hertog dismisses him as a “womanizer” who suffered from “spiritual turmoil.— (By contrast, Anne’s sexual infidelity brought her “consolation.—) Although Herzog claims to have lifted Lindbergh’s “mask,— she reveals little, and instead paints on her subject yet another false, flattering face. (84 b&w photos, some not seen) (Book-of-the-Month Club selection; author tour)
Pub Date: Dec. 1, 1999
ISBN: 0-385-46973-X
Page Count: 592
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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