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THE CHRISTMAS COLLECTION

This single-author holiday anthology fairly drips with sugary nostalgia for a storybook version of an English Christmas. A novella, set in the late 1940s, portrays the young daughter of a poor seamstress trying to keep Christmas while her mother lies ill with pneumonia (the local gentry save the day with a hamper of Christmas treats); another reminisces about an Edwardian Christmas at an Anglican parsonage where, after holly-laden festivities, the young daughter pays pastoral calls with Papa, bearing a hamper of Christmas goodies. One short story describes a boy's breathless sledding on a longed-for white Christmas; another is about a lonely old widower who finds an abandoned baby on Christmas Eve and takes it to a hospital, where it is laid lovingly in the annual cräche scene. A final, tedious poem listens to a litany of animals echoing a message on midnight Christmas Eve, summoning all to a wondrous stable scene. Long on misty-eyed description, short on plot and character development, Hill's (King of Kings, 1993, etc.) treacly tales are illustrated with unappealing dark woodcuts, many of them too small. (Fiction. 5+)

Pub Date: Nov. 1, 1994

ISBN: 1-56402-341-9

Page Count: 144

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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CELEBRATE KWANZAA

WITH CANDLES, COMMUNITY, AND THE FRUITS OF THE HARVEST

From the Holidays Around the World series

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.

An overview of the modern African-American holiday.

This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.

A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4263-2849-7

Page Count: 40

Publisher: National Geographic Kids

Review Posted Online: Oct. 27, 2017

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ROSES ARE PINK, YOUR FEET REALLY STINK

The annual classroom exchange of valentines is the backdrop for this engaging story about retaliation. Gilbert remembers how hurt he felt when Lewis tweaked his nose and when Margaret made fun of his glasses. So when he's faced with 15 blank valentine cards, each one waiting for a poem, he decides to hurt them in return. ``Roses are red, you wet your bed. I think that you have rocks in your head,'' goes to Margaret (he signs it ``Lewis''), while Lewis's card carries the sentiments of the book's title (Gilbert signs that one ``Margaret''). Gilbert feels remorse, however, upon receiving pleasant valentines from both of them, and his regret is compounded when his deceit is discovered and he is shunned by the class. An apology and two new poems from Gilbert patch things up in time for the Valentine's Day party. These hazardous waters of handing out valentines are negotiated by a cast of animals whose emotional toils will closely mirror readers' own. DeGroat pens a sympathetic look at the small hurts in life and the importance of second chances. (Picture book. 5+)

Pub Date: Feb. 1, 1996

ISBN: 0-688-13604-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1995

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