This is the story the librarian reads to the kids to keep them grinning when they say “read it again!” (Picture book. 4-8)
All kinds of calamities befall the titular book in this cumulative riff on “The House That Jack Built.”
Following the initial pages that introduce both Jake and the book, conditions for the book quickly deteriorate: Jelly drips on it, a rat licks the jelly, a cat catches the rat, a dog chases the cat, and the dog chews the book’s pages. The mangled book is taken back to the library (along with the contents of Jake’s piggy bank), and the collage illustration shows a stereotypical, frowning librarian who scolds Jake—but wait! She’s also the librarian who lets him take home extra books even after she laments the first book’s harsh treatment. The childlike fabric collages are busy, with double-page spreads that frequently feature large, labeled arrows cut from lined paper on verso pointing to the various characters. Interjections between lines add extra opportunity for storytime audiences to chime in (and giggle): “This is the rat / that licked the jelly Oh, gross! / That dripped on the book Oh, no! / that Jake borrowed.” In the picture, a plump rat snoozes on top of the opened book. Jake and the librarian are both white; the former has impish dots and lines for facial features, while the librarian wears glasses (of course) and a bun (double of course).
This is the story the librarian reads to the kids to keep them grinning when they say “read it again!” (Picture book. 4-8)Pub Date: Oct. 1, 2018
ISBN: 978-1-4556-2325-9
Page Count: 32
Publisher: Pelican
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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