THE PASSOVER GUEST

Kindness is rewarded and a holiday is celebrated in this endearing, satisfying story.

Miracles occur on Passover, both in the Haggadah and in a poor, Depression-era Jewish American neighborhood.

For Muriel, a young girl living in 1933 Washington, D.C., there can be no Passover seder. Her family is too poor. Stopping at the Lincoln Memorial, she watches a juggler whose shabby appearance suddenly seems to burst into color. She gives him all she has—one penny—and he tells her to hurry home to a seder. She rushes home only to find her parents standing in front of an empty table. But the stranger is now at the door, and he magically transforms that bare table to one overflowing with holiday foods and ceremonial plates and cups. The rabbi is summoned and declares it a “true miracle” to be enjoyed by the whole neighborhood. At the conclusion of the festive meal, the cup left for the Prophet Elijah is empty. In her afterword, the author writes that a favorite childhood story was Uri Shulevitz’s The Magician (1973), which set a Yiddish tale by Isaac Loeb Peretz in a shtetl. This reimagined American setting during the Great Depression and its message of community and faith will resonate with readers. Rubin’s line-and-color art beautifully conveys a Washington, D.C., spring with cherry blossoms blooming, crowded streets that also evoke a long-ago, slightly off-kilter European town, and a gloriously bright holiday evening. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 34.8% of actual size.)

Kindness is rewarded and a holiday is celebrated in this endearing, satisfying story. (illustrator's note) (Picture book. 4-8)

Pub Date: Jan. 19, 2021

ISBN: 978-0-8234-4562-2

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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