by Susan Lowell ‧ RELEASE DATE: N/A
Another sublime compilation from a consistently impressive wordsmith.
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Characters in this volume of short stories shuffle through lives steeped in regret, uncertainty, and the inevitability of death.
In the opening tale, “The Woman Who Loved Trees,” an aging poet writes his latest verse. But as he reflects on a past that entails fame and praise that no longer interest him, he may be anticipating and welcoming death. Others in this book are more fearful of the end. Rascoe, for example, a blacksmith in “Ironwork,” scoffs at ostentatious newspaper headlines. But as 1999 comes to a close, those headlines, coupled with Rascoe’s ominous dreams, make Y2K a truly daunting forthcoming event. But Lowell’s stories aren’t typically bleak, notwithstanding the despondency that many of her characters endure. In “The Frog Prince,” Teresa Slade is on a “surprise vacation” with her husband, Ray, and her daughter, Claire. Though her overwhelming unhappiness is apparent, Teresa clings to hope, however fleeting it is. As in the author’s earlier work, the tales here are set mostly in Arizona and neighboring states, including the outstanding eponymous tale. In it, Elizabeth Ryding leaves her contemptible boyfriend in Alaska and returns to Arizona, her home state. But as her mother is oddly unavailable, she stays with her delightfully assertive Aunt Tinny along with, quite possibly, a ghost. Lowell displays a knack for indelible, concise descriptions and subtle humor. “The Witch of the Stacks,” for one, begins with: “Long, long ago, almost before computers.” In other instances, characters provide the charm, like Aunt Tinny—“Ahnt,” she repeatedly stresses—who answers her door with a sizable Rottweiler at her side and a hefty Colt .45 in her hand. The author also plays with different narrative forms: In “Love and Death,” a collection (within this collection) of “short short stories,” there’s flash fiction as well as a fragmented tale showcasing a killer’s frightening perspective.
Another sublime compilation from a consistently impressive wordsmith. (acknowledgements, author bio)Pub Date: N/A
ISBN: 978-1-68003-193-5
Page Count: 206
Publisher: Texas Review Press
Review Posted Online: May 9, 2020
Kirkus Reviews Issue: July 1, 2020
Review Program: Kirkus Indie
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by Susan Lowell illustrated by R.W. Scholes
edited by Celeste Ng ; series editor: Nicole Lamy ‧ RELEASE DATE: Oct. 21, 2025
The spirit of grace under pressure and creativity under fire animates a wonderfully diverse set of stories.
Ng selects 20 stories that illustrate why we might still read fiction in a time of disinformation and lies.
As the trials and tribulations of the 21st century have unfolded, the Best American Short Stories anthology has become a particular way of taking the temperature of each passing year. As Ng writes in her introduction to the latest group, “Short stories in particular can act like little tuning forks, helping us to clarify our own values—then allowing us to bring ourselves into alignment with what we believe. In a time when our values are being tested daily, it’s hard to think of anything more important.” Many of them are also fun to read, a quality appreciated more than ever by depressed and overwhelmed readers. The stories are ordered alphabetically, a structure maintained in the following selection, which is unfortunately limited by space. “Take Me to Kirkland,” by Sarah Anderson, is very funny, a little weird, and certainly one of Costco’s finest hours. “What Would I Do for You, What Would You Do for Me?” by Emma Binder is a cinematic mini-thriller about a trans kid visiting his hometown, terrified of being “clocked” by the people he grew up with after he saves a local from drowning. “Time of the Preacher,” by Bret Anthony Johnston, is one of several pandemic stories—in it, a snake, which may or may not be under the refrigerator, inspires a quarantine-breaking cry for help from a fence-builder’s ex-wife. Another story of that time, “Yellow Tulips,” by Nathan Curtis Roberts, also combines endearing, funny first-person narration with a more serious theme. A Mormon man in an uptight Utah suburb has to manage his developmentally disabled adult son through the complexities of quarantine. One day, he discovers that his son has “gotten into the provisions Mormons are all but commanded to keep, eating Nutella and Marshmallow Fluff from their jars.…Brig, we put these things aside for the apocalypse,’” the father says, while his son “grinned gleefully, sugary goo smeared across his lips and fingers. ‘It’s an apocalypse now!’”
The spirit of grace under pressure and creativity under fire animates a wonderfully diverse set of stories.Pub Date: Oct. 21, 2025
ISBN: 9780063399808
Page Count: 384
Publisher: Mariner Books
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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