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EPICS OF EVERYDAY LIFE

ENCOUNTERS IN A CHANGING RUSSIA

Richards, a British journalist, film producer, and one-time student of Solzhenitsyn, offers an eloquent narrative of her encounters with Soviet citizens, and ambivalent insights into the impact of glasnost and perestroika on ordinary Soviet people. Americans tend to view Gorbachev's reforms as an unqualified good. By contrast, Richards's conversations with Soviets demonstrate the exhilarating but disorienting effect of democratization upon people who have lived under a totalitarianism that deprived them of the right to think for themselves or to learn their own history. In the beginning, Richards repeatedly expresses amazement at the apparent irrationality and senselessness of much of Soviet society; ultimately, she finds the explanation for this quality in the distorting effect of official ideology on the thoughts and behavior of the Soviet citizenry. Richards describes the peculiarly Russian mixture of idealism and cynicism prevalent throughout Soviet society, and the alarmingly vicious anti- Semitism embraced even by intellectuals to explain the atrocities of the Soviet era. Her portraits include an affecting depiction of Andrei, who although initially xenophobic and suspicious, gradually warmed to her as he learned she was not a ``class enemy'' after all; Pavel, an Orthodox ``Old Believer'' who insights into the paradoxes of Soviet power were more accurate than those of more ``contemporary'' Soviets; and Kukobaka, the dissident whose internal exile was a disturbing reminder that ``thoughtcrime'' is still an offense in the Soviet Union. Thoughtful and beautifully written portraits of Soviet people in a time of radical change.

Pub Date: May 1, 1991

ISBN: 0-670-82743-6

Page Count: -

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1991

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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