Oft-told stories about people as familiar as family still retain their power to animate and educate.
Popular historian Ronald (The Sancy Blood Diamond, 2004, etc.) struggles mightily to find a fresh promontory from which to observe Elizabeth I’s favorite rovers: John Hawkins, Francis Drake, Walter Raleigh, the Earl of Essex.
They helped fill her coffers, weaken Spain, lay the foundation for Britain’s empire. Is there anything new to say about these celebrated folks and their often execrable behavior? This author’s success is moderate. Her framework is the oft-told biography of the Virgin Queen. Ronald quickly assesses the sorry economic and geopolitical state of the country in 1558, when young Elizabeth assumed the throne. The country needed cash, and Spanish treasure ships were queued up across the Atlantic delivering the bounties of the New World. Enter those aforementioned English pirates. Ronald offers the biography of each, narrates the necessary adventures, pauses periodically to quote (sometimes at excessive length) from relevant documents or to sketch biographical, political and geographical background. She rehearses a bit of the story of the first successful English slave trader, John Hawkins (for much more, see Nick Hazlewood’s The Queen’s Slave Trader, 2004). Then the text, like Elizabethan history itself, comes alive with Francis Drake swaggering onto the stage and quite literally stealing his way into the queen’s heart. Ronald chronicles Drake’s voyages with confidence, knowledge and patent admiration for his naval skills: At one point she describes him as “one hell of a captain and navigator.” Eventually, he circumnavigated the globe, defeated the Spanish Armada, sort of retired, died. Mary, Queen of Scots, Essex and Raleigh lost their heads, but by the time James I mounted the throne in 1603, England was poised for global greatness. What will certainly strike many readers is Elizabeth’s serial dissembling—lying was one of her greatest talents—and the use by all European powers of deception, theft and violence as their principal instruments in the cacophonous symphony of international relations.
Oft-told stories about people as familiar as family still retain their power to animate and educate.Pub Date: July 1, 2007
ISBN: 978-0-06-082066-4
Page Count: 496
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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