It’s a tribute to how much has changed that much of the book’s content will be shocking to readers under 30; it’s also a...
An exploration of the link between the feminist revolution and the role of women in sports, as embodied by one of the 20th century’s most iconic sports figures.
Ware (Title IX: A Brief History with Documents, 2006) would have been hard-pressed to choose a better lens through which to examine the transformation of women’s sports—from seldom participated-in activities to an ever-growing field of high-level athletic excellence—than tennis superstar and trailblazer Billie Jean King, whose victory over Bobby Riggs in the 1973 “Battle of the Sexes” was a major catalyst for that change. Though biography is not the primary focus, the author provides a full account of King’s life, touching on her early marriage to a man who would be more business partner than lover, her sexual confusion and ultimate coming out as a lesbian, and her indomitable drive to not only succeed in tennis, but to help the game of tennis succeed. King’s rise to prominence coincided with the passage of Title IX, a piece of legislation designed to prevent sexual discrimination in federally funded academic institutions that would have its most profound impact on sports. The narrative is by turns an account of the passage of the legislation and progression of women’s athletics, a theoretical discourse on second-wave feminism and sexuality as they relate to sports and a biography of the influential and controversial King, making it a book that works on multiple levels—a quality that also makes it somewhat jumbled. Though the historical details necessarily inform the theoretical dissertation, the balance between each element is uneven, making the narrative hard to categorize, even as it cogently argues that the passage of Title IX may actually have impeded the creation of a level playing field.
It’s a tribute to how much has changed that much of the book’s content will be shocking to readers under 30; it’s also a measure of how much remains to be done, given the “separate but equal” approach that still dominates sports today.Pub Date: March 1, 2011
ISBN: 978-0-8078-3454-1
Page Count: 288
Publisher: Univ. of North Carolina
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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