Not quite as thought-provoking as the author’s debut novel, but more fun—in a kinky sort of way. An intriguing sophomore...
Another offbeat adventure from Cokal (Mirabilis, 2001), who sends a consumptive but dauntless Danish teenager across 1880s America in search of her lover.
Abandoned in infancy and raised by nuns, Famke acquires little from the convent beside tuberculosis and a well-deserved reputation as a wild child. When the devoted Sister Birgit finds her work on a farm, she prefers to run off to Copenhagen with an English painter and enjoy life as his model/mistress. Albert is as mediocre in bed as he is at the easel, but Famke is nonetheless heartbroken when he goes home to pursue artistic fame. After she learns he’s moved on to the States, Famke pretends to convert to Mormonism so that an American missionary will finance her passage there. She’s even willing to become Heber Goodhouse’s polygamous third wife, since he’ll take her to Utah and she’s read that Albert is heading west. Coughing all the way, often wearing men’s clothes, she follows Albert’s trail from whorehouse to whorehouse in Colorado, financing her travels by reworking his paintings of the establishments’ employees to reflect changes in personnel. She finally ends up in California at the Hygeia Springs Institute for Phthisis. Its wealthy founder Edouard promises to cure her TB through electrical treatments that certainly are pleasurable (think: giant vibrator) but do not assuage Famke’s longing for Albert. The lovers are finally reunited at San Francisco’s Thalia Festival House, where Famke is one of the “Living Waxworks” that enable the promoter to show near-naked women without getting arrested. The humor here is very dark, the descriptions of bodily afflictions baroque: Don’t expect a happy ending. But Cokal gives her swashbuckling heroine a spectacular send-off appropriate to her portrait of 19th-century America as a brutal but oddly liberating society, and the well-rendered secondary characters achieve slightly more satisfying ends.
Not quite as thought-provoking as the author’s debut novel, but more fun—in a kinky sort of way. An intriguing sophomore effort from a writer who definitely has her own unique voice.Pub Date: May 15, 2005
ISBN: 1-932961-06-2
Page Count: 416
Publisher: Unbridled Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A raw and incandescently written foray into fiction by one of our most gifted poets.
A young man writes a letter to his illiterate mother in an attempt to make sense of his traumatic beginnings.
When Little Dog is a child growing up in Hartford, he is asked to make a family tree. Where other children draw full green branches full of relatives, Little Dog’s branches are bare, with just five names. Born in Vietnam, Little Dog now lives with his abusive—and abused—mother and his schizophrenic grandmother. The Vietnam War casts a long shadow on his life: His mother is the child of an anonymous American soldier—his grandmother survived as a sex worker during the conflict. Without siblings, without a father, Little Dog’s loneliness is exacerbated by his otherness: He is small, poor, Asian, and queer. Much of the novel recounts his first love affair as a teen, with a “redneck” from the white part of town, as he confesses to his mother how this doomed relationship is akin to his violent childhood. In telling the stories of those who exist in the margins, Little Dog says, “I never wanted to build a ‘body of work,’ but to preserve these, our bodies, breathing and unaccounted for, inside the work.” Vuong has written one of the most lauded poetry debuts in recent memory (Night Sky with Exit Wounds, 2016), and his first foray into fiction is poetic in the deepest sense—not merely on the level of language, but in its structure and its intelligence, moving associationally from memory to memory, quoting Barthes, then rapper 50 Cent. The result is an uncategorizable hybrid of what reads like memoir, bildungsroman, and book-length poem. More important than labels, though, is the novel’s earnest and open-hearted belief in the necessity of stories and language for our survival.
A raw and incandescently written foray into fiction by one of our most gifted poets.Pub Date: June 4, 2019
ISBN: 978-0-525-56202-3
Page Count: 256
Publisher: Penguin Press
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
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