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SEA CREATURES

Ebbs and flows.

Daniel’s (Stiltsville, 2011) novel, about a woman coping with her broken family and her husband’s and son’s illnesses, contains an undercurrent that surges in parts but can’t quite manage to maintain its grip on the reader.

Georgia Quillian and her husband, Graham, move to Georgia’s hometown in Florida following the disintegration of their professional dreams in Illinois. Georgia’s college-advising business has gone belly up, and an incident attributed to Graham’s sleeping disorder, parasomnia, prevents him from obtaining tenure at Northwestern University. Starting anew, the couple buys an old houseboat and docks it at Georgia’s father and stepmother’s house, while Graham begins his new job working on a project that studies extreme weather. He spends large amounts of time away from his family, and when he’s home, Graham is remote and unable to engage with Georgia or their young son, Frankie. Frankie is physically capable of speech but rarely makes a sound; he’s diagnosed with selective mutism. When stepmother Lidia tells Georgia about an opening as a personal assistant to a local “hermit,” she accepts the position. Artist Charlie Hicks, who’s many years older than Georgia, has lived for years in a home built on pilings on the water in an area known as Stiltsville, and she goes to his place a few days a week. While Georgia organizes his art, which includes sketches of many sea creatures, she finds peace and tranquility in Charlie’s presence and witnesses positive changes in Frankie as he and Charlie develop a close bond. Georgia recognizes how fractured her marriage is and sadly realizes that she and Frankie are happier when Graham is away on his extended trips. Reading Georgia’s reflections about her life and her marriage sometimes feels like slogging through chest-high water to reach a faraway shore, but even though the movement is slow and the journey takes effort, getting to the other side is worth it—at least for parts of the story. The latter portion of the book sweeps readers into the mayhem of Hurricane Andrew and a heart-pounding crisis that triggers waves of powerful emotions but, unfortunately, doesn’t sustain them. Once Andrew passes, the narrative slowly dribbles to a wishy-washy conclusion.

Ebbs and flows.

Pub Date: July 30, 2013

ISBN: 978-0-06-221960-2

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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