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SEA CREATURES

Ebbs and flows.

Daniel’s (Stiltsville, 2011) novel, about a woman coping with her broken family and her husband’s and son’s illnesses, contains an undercurrent that surges in parts but can’t quite manage to maintain its grip on the reader.

Georgia Quillian and her husband, Graham, move to Georgia’s hometown in Florida following the disintegration of their professional dreams in Illinois. Georgia’s college-advising business has gone belly up, and an incident attributed to Graham’s sleeping disorder, parasomnia, prevents him from obtaining tenure at Northwestern University. Starting anew, the couple buys an old houseboat and docks it at Georgia’s father and stepmother’s house, while Graham begins his new job working on a project that studies extreme weather. He spends large amounts of time away from his family, and when he’s home, Graham is remote and unable to engage with Georgia or their young son, Frankie. Frankie is physically capable of speech but rarely makes a sound; he’s diagnosed with selective mutism. When stepmother Lidia tells Georgia about an opening as a personal assistant to a local “hermit,” she accepts the position. Artist Charlie Hicks, who’s many years older than Georgia, has lived for years in a home built on pilings on the water in an area known as Stiltsville, and she goes to his place a few days a week. While Georgia organizes his art, which includes sketches of many sea creatures, she finds peace and tranquility in Charlie’s presence and witnesses positive changes in Frankie as he and Charlie develop a close bond. Georgia recognizes how fractured her marriage is and sadly realizes that she and Frankie are happier when Graham is away on his extended trips. Reading Georgia’s reflections about her life and her marriage sometimes feels like slogging through chest-high water to reach a faraway shore, but even though the movement is slow and the journey takes effort, getting to the other side is worth it—at least for parts of the story. The latter portion of the book sweeps readers into the mayhem of Hurricane Andrew and a heart-pounding crisis that triggers waves of powerful emotions but, unfortunately, doesn’t sustain them. Once Andrew passes, the narrative slowly dribbles to a wishy-washy conclusion.

Ebbs and flows.

Pub Date: July 30, 2013

ISBN: 978-0-06-221960-2

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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