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NELL

THE AUSTRALIAN HEIRESS WHO SAVED KERENSKY FROM STALIN & THE NAZIS

A wonderfully researched, thorough account of a forgotten but memorable life.

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A biography focuses on a wealthy Australian heiress who defied the conventions of a male-dominated world.

Nell Tritton was born in 1899 into blessed circumstances—her father, Fred, was the wealthiest businessman in Australia’s Queensland—but her life was not without its travails. Two of her siblings died in 1919, victims of the flu epidemic. Undaunted nonetheless, Tritton was devoted to staking out an independent life of her own, one that freed her from the prohibitive restrictions of a more patriarchal age. She was the first woman to win prizes in Queensland for rally-driving as well as Brisbane’s first female journalist. She dreamed of moving to Paris to learn the language and become a writer, but those aspirations were stymied by the devastation of World War 1. Nevertheless, she finally arrived there in 1925, enthused to be living in a famously literary city during its halcyon days: “Nell was thrilled to think she had chosen a corner of Paris dedicated to the literati.” Tritton lived a remarkably eventful life during extraordinary times. She married Alexander Kerensky, the former Russian prime minister and an outspoken critic of Lenin and Stalin, an uncompromising position that endangered his life: “Kerensky had tried to introduce democratic reforms but had fled to Europe in fear of his life after the Russian Revolution. Lenin and his ruthless assistant Stalin had put a price on Kerensky’s head.”

De Vries’ research is magisterially scrupulous—in fact, this virtue can become a vice when she buries readers under mounds of minute details. Still, this is a comprehensive account of Tritton’s life—especially impressive since the volume is fairly short—that examines her indomitable spirit and the many ways in which she resisted societal expectations for women. Tritton’s life was as admirable as it was dramatic and cinematic, and as a result, she makes an excellent subject for a biography. De Vries vividly captures the woman’s remarkable drive and talent as well as her moral decency. When the publisher Ford Maddox Ford requested sexual favors in return for a contract, Tritton was horrified and turned him down. The author’s writing is workmanlike—always perfectly lucid but unembellished for the most part by literary style. This linguistic flatness can feel especially odd in descriptions of Tritton since she was a woman of lofty poetical ambitions. But de Vries can surprise readers—consider this moving passage that depicts the carnage German bombers left behind in France: “On the highway were dead horses and shattered limbs of bodies blown apart by bombs. The road stank of death as the sun rose and beat down on them. Many cars had been reduced to twisted wrecks and had to be pushed out of the way before the procession could start again. Nell drove past women howling beside the bodies of dead husbands and children. Dogs whose owners had been killed wandered disconsolately through the traffic.” The book is also filled with beautiful historical photographs—mostly black-and-white—that provide helpful illustrations of Tritton’s life.

A wonderfully researched, thorough account of a forgotten but memorable life.

Pub Date: May 18, 2020

ISBN: 978-0-98-062166-2

Page Count: 242

Publisher: Pirgos Press

Review Posted Online: July 19, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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