A fun read that’s perfect for lovers of pop music, classic books, and romantic comedies.
A semiforgotten singer seeks love and a new hit song in this debut from Hoffs, the co-founder of the Bangles.
Thirty-three-year-old Jane Start is afraid she might already be a washed-up one-hit wonder. Ten years ago, she found success with a cover of a song by the enigmatic rock star Jonesy. But she hasn’t had a hit since, and now she finds herself so desperate for work that she’s playing a private gig at a bachelor party. Her manager and best friend, Pippa, sends Jane to London to recuperate from the humiliation of singing karaoke to a group of drunk bachelors and the pain of being recently dumped by her boyfriend of four years. On the plane, Jane meets an Oxford literature professor named Tom Hardy, and the two manage to charm each other with their in-flight conversation. Impulsively, Jane kisses him, and the two exchange numbers before they part. When Jane gets to London, her life becomes all about another unexpected connection—Jonesy himself wants Jane to perform at his upcoming show at the Royal Albert Hall. Jane needs the work, but the idea of performing in front of such a large crowd, and with the same mysterious superstar who was such a big part of her early career, gives her pause. When she finally hears from Tom again, the two of them fall into a heady and intoxicating relationship. But Jane starts to wonder how much she really knows about Tom and whether the figurative ghosts of his ex-girlfriends might haunt his home and his heart. She also wonders if she can ever separate herself from her hit song of 10 years ago and the man who was behind it. Hoffs writes with a snappy wit that recalls rom-com favorites like Bridget Jones’s Diary. There are the expected musical references (each chapter begins with a song title, and Jane and Tom bond over their favorite music), but there are many literature references, too—most notably to Jane Eyre and Rebecca.
A fun read that’s perfect for lovers of pop music, classic books, and romantic comedies.Pub Date: April 4, 2023
ISBN: 9780316409315
Page Count: 368
Publisher: Little, Brown
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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