A convincing grasp of Romantic period detail mostly compensates for occasionally clunky dialogue and forays into such...
Sparks fly when bohemians, aristocrats and those in-between collide in this latest historical novel with musical themes, from the author of Émilie’s Voice (2005).
The real-life romance of composer/pianist Franz Liszt and French aristocrat-cum-author Marie d’Agoult provides the backdrop for Dunlap’s tale of a teenaged comtesse’s travails. In 1832, 17-year-old Anne de Barbier-Chouant mourns the death of her beautiful mother, Sandrine, a victim of the cholera epidemic raging through Paris. She is further devastated when her stern, secretive father permanently bars her from their ballroom, which houses the pianoforte both mother and daughter loved to play. Even more musically gifted than Sandrine, Anne eagerly accepts the use of an instrument and the entrée to society offered by her mother’s friend, Comtesse Marie d’Agoult, a celebrated patron of the arts. Knowing her father disapproves, she conceals these outings, including a concert at which she swoons—literally—over rising star Liszt. Anne captivates handsome medical student Pierre Talon, who revives her, as well as Armand de Barbier, the young cousin whom the Marquis de Barbier-Chouant insists his daughter marry. Armand willingly covers for her as she studies piano with Liszt, who enlists the infatuated, unwitting girl in his seduction of Marie. Misunderstandings, and the eponymous kiss, inevitably ensue. But such deceptions pale beside what Anne’s father has withheld about her birth, his shrinking fortune and his true relationship with Armand. Things boil over the night she performs at a salon, and all is soon revealed.
A convincing grasp of Romantic period detail mostly compensates for occasionally clunky dialogue and forays into such bodice-ripping silliness as “his mouth closed over hers, not so much kissing as devouring her.”Pub Date: April 10, 2007
ISBN: 0-7432-8940-4
Page Count: 336
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2007
A heartfelt tale of love too stubborn to surrender to human frailties.
When Chi Chi Donatelli gave famous crooner Saverio Armandonada a manicure on a 1930s New Jersey beach, little did she know that the swanky singer would change her life.
After his childhood sweetheart married another man, Saverio left the security of his job on the factory line in Detroit, earning his father’s disapproval but opening wide the door to success as a big-band singer. Along his way to stardom, Saverio changed his name to Tony Arma and discovered a talent for romancing—but never marrying—the ladies. But once he meets Chi Chi, his bachelor days are numbered. From a large, boisterous Italian family, Chi Chi is eager to have a life like Tony’s, with the freedom to sing and travel the country. She wants no part of marriage with its shackles. Soon Chi Chi and Tony are touring together, eventually developing a profitable shtick, with Chi Chi writing bestselling songs and Tony serenading them to dreamy audiences. It’s only a matter of time before Tony proposes. After all, unlike his other girls, Chi Chi offers Tony not only beauty and charm, but also the stability of a home. The lovers’ work in the entertainment industry gives way to a marriage blessed with babies yet held apart by war. Once reunited, Chi Chi’s independence and Tony’s philandering further fracture their marriage. But as Tony’s path wends from woman to woman, Chi Chi forges a new life on her own terms. A mistress of the sweeping family saga, bestselling author Trigiani (Kiss Carlo, 2017, etc.) sets Chi Chi and Tony’s lifelong love affair against the grand stage of World War II through the postwar boom years and the women’s liberation movement, tracing a society catching up with Chi Chi’s determination to control her own financial and personal freedom.
A heartfelt tale of love too stubborn to surrender to human frailties.Pub Date: Nov. 20, 2018
ISBN: 978-0-06-231925-8
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 15, 2018
The perils of country living are brought to light in a confidently executed novel.
Family bonds are twisted and broken in Jordan’s meditation on the fallen South.
Debut novelist Jordan won the 2006 Bellwether Prize for this disquieting reflection on rural America, told from multiple perspectives. After steadfastly guarding her virginity for three decades, cosmopolitan Memphis schoolmarm Laura Chappell agrees to marry a rigid suitor named Henry McAllan, and in 1940 they have their first child. At the end of World War II, Henry drags his bride, their now expanded brood and his sadistic Pappy off to a vile, primitive farm in the backwaters of Mississippi that she names “Mudbound.” Promised an antebellum plantation, Laura finds that Henry has been fleeced and her family is soon living in a bleak, weather-beaten farmhouse lacking running water and electricity. Resigned to an uncomfortable truce, the McAllans stubbornly and meagerly carve out a living on the unforgiving Delta. Their unsteady marriage becomes more complicated with the arrival of Henry’s enigmatic brother Jamie, plagued by his father’s wrath, a drinking problem and the guilt of razing Europe as a bomber pilot. Adding his voice to the narrative is Ronsel Jackson, the son of one of the farm’s tenants, whose heroism as a tank soldier stands for naught against the racism of the hard-drinking, deeply bigoted community. Punctuated by an illicit affair, a gruesome hate crime and finally a quiet, just murder in the night, the book imparts misery upon the wicked—but the innocent suffer as well. “Sometimes it’s necessary to do wrong,” claims Jamie McAllan in the book’s equivocal dénouement. “Sometimes it’s the only way to make things right.”
The perils of country living are brought to light in a confidently executed novel.Pub Date: March 4, 2008
ISBN: 978-1-56512-569-8
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
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