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SO LIGHT, SO HEAVY

Such a heavyweight for such a light little book—delightful.

The teeter-totter won’t tip no matter how many animals are on it. What will it take to make the teeter-totter tip?

An elephant stands on one end of a teeter-totter, hoping to play, but the other end is empty, so it doesn’t tip. One by one, a number of animals climb on: a penguin, a monkey, an ostrich, and a giraffe. And still the teeter-totter won’t tip. “Elephant is so heavy,” and the other animals “are so light.” Even when a hippopotamus climbs on it doesn’t tip—now both sides are equally weighted. A humorous and unexpected solution comes along in the shape of a trumpet-blowing blond, white child pulling along a sauropod on a leash. Standing against an azure blue background, the vivid red teeter-totter takes center stage, its fulcrum aligned with the gutter. The animals are simply drawn yet wonderfully expressive, and their antics on the teeter-totter are downright comical. This English translation from the original German is full of alliteration and onomatopoeic sounds—“ZOOP!”; “ZIPPITY ZAP!”; “TIPPY TOPPY TIP TAP!”—making it a read-aloud delight. Adult readers can encourage animal recognition and naming, prediction, or even a discussion on teamwork and physics.

Such a heavyweight for such a light little book—delightful. (Board book. 2-4)

Pub Date: Jan. 9, 2018

ISBN: 978-1-58089-849-2

Page Count: 22

Publisher: Charlesbridge

Review Posted Online: Dec. 10, 2017

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TEN ON A TWIG

Who knew that turning the pages could be the best part of a book?

Counting down one by one, 10 birds fall off a branch.

The concept of this picture book is simple enough: 10 birds topple, slip, and dive their way off the titular twig until there is one left. The text itself echoes familiar singsong-y children’s rhymes like “Five Little Pumpkins.” While it mostly succeeds, there are some awkward spots: “5 on a twig, there used to be more… / SNAP! Don’t say a word, now there are four.” (On each page the number is both spelled out and represented as a numeral). The real scene stealer, however, is the book’s interplay between Cole’s illustrations and the physical pages themselves. In much the same way Eric Carle utilizes the pages in The Very Hungry Caterpillar to show the little critter eating its way through the week, Cole uses pages of increasing width to show how the twig grows shorter as each bird falls and marches off purposefully with the others, all headed toward verso with pieces of twig in their beaks. Stylistically, the book is captivating. The very colorful, egg-shaped birds appear on a single, thin black line on a stark white background. This backdrop stands in powerful contrast to the book’s final two pages, which are set against black negative space, a theme echoed in the book’s feather-print endpapers. The heavy, thick pages make it easy for little hands to participate. The text takes a back seat to the playful and compelling design, which is sure to delight readers.

Who knew that turning the pages could be the best part of a book? (Picture book. 2-4)

Pub Date: Sept. 1, 2020

ISBN: 978-1-72821-593-8

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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BEAR HAS A BELLY

From the Big, Little Concepts series , Vol. 5

A welcome message of appreciation for human (and animal!) bodies.

Animals’ physical features compared side by side with children’s.

This picture book compiles photographs of familiar animals along with similarly adorable kids. The simple, repetitive text has a singsong-y feeling: “Owl has eyes— / Big, round eyes. / Owl has eyes. / I do too!” A close-up of the owl’s face is paired with an image of a bespectacled, tan-skinned child looking up from an easel at the camera. Other pages compare showcase body parts like ears, nose, legs, and, of course, the titular belly. The images are detailed—one stunning picture even depicts the tiny insects stuck to a frog’s tongue midlick. The kids portrayed are diverse in terms of race and ability. The repeated refrain of “I do too!” invites readers to pick up the rhythm and to reflect on their own body parts. The book closes with a note about the importance of movement and body positivity for a child’s growth and development along with a list of suggested activities to try together. The format, repetition, and neutral observations make this a refreshing title among body books for toddlers and preschoolers. (This book was reviewed digitally.)

A welcome message of appreciation for human (and animal!) bodies. (Picture book. 2-4)

Pub Date: Sept. 13, 2022

ISBN: 978-1-77278-268-4

Page Count: 24

Publisher: Pajama Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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