Readers who are averse to crying in public be warned: You’ll want to sit with this astounding story at home.
A single mother navigates custody of her granddaughter—and tries to correct mistakes she made the first time around—in this gentle but heart-wrenching story.
When London schoolteacher Ruth learns that her daughter, Eleanor, is pregnant, the two are sharing a meager Christmas dinner on a park bench. Eleanor is years into debilitating addiction, living on and off the streets with her baby's father, Ben, but Ruth pushes past Eleanor's resistance to offer help when Lily is born—holding vigil as the newborn goes through withdrawal in the hospital, taking control of the baptism as Eleanor and Ben keep wandering off, regularly stopping by their apartment to make sure they’re eating. When Ruth finds an unresponsive person in Eleanor’s apartment—ostensibly an overdose—she flees with Lily, anticipating a fight for custody that never comes. The years pass swiftly, almost perfunctorily, as Lily grows into a kind, strong-willed, and precocious child, “someone who knows life is a serious business, perhaps a few years before she might,” as Ruth's friend describes her. The pacing matches Ruth’s own matter-of-factness: Her outsize shame leaves little berth for wallowing, and her self-deprecating wit resists maudlin sentimentality. (The greatest source of comic relief comes from Jean Reynolds, Ruth’s co-worker, whose brashness and loyalty make her impossible not to love.) Through intimate first-person narration, Ruth balances the pain of losing a daughter against the hope of a second chance. Her relationship with Lily brings a cautious joy. Ruth can’t look at the girl without seeing the trail of maternal pain that originated with her own mother, who drank disinfectant after Ruth’s father left, and led to Lily’s miraculous birth. Love can go awry—see the double meaning of the title, which Lily discovers on a tombstone: “It kind of sounds like the person tried to be loving but…the aim was wrong”—but can that misdirection be righted? Though Lily isn’t immune from trauma—this is clear when her perspective abruptly takes over in the final third of the book—she is propped up by the strength of Ruth’s devotion.
Readers who are averse to crying in public be warned: You’ll want to sit with this astounding story at home.Pub Date: Sept. 19, 2023
ISBN: 9781681377810
Page Count: 224
Publisher: New York Review Books
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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