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BIG SEX, LITTLE DEATH

A MEMOIR

Surprisingly dry, uninspiring rendering of a potentially intriguing life story.

“Godmother” of women’s erotica reflects on her young life as a self-styled political and sexual revolutionary.

Longtime sex educator, provocateur and journalist, Bright (Love and Lust: A Sex Journal, 2010, etc.) was born to an eccentric academic couple with an abiding professional and recreational interest in India and Indian culture. Early on, the author bounced back and forth between her mother and father’s care, from Los Angeles to Edmonton. Bright’s remembrances of her parents, who were bitterly divorced when she was two, aren’t especially vivid, and what she divulges about her mother is none-too-flattering. Most striking is the recollection of her mom’s failed attempt to drive their VW into a frozen Canadian river, a suicide attempt that would have also taken Bright's life. With such an unstable upbringing, it’s not surprising that the author turned to radical politics in high school and daily confrontation with pre–Equal Rights Amendment sexism from all sides. She went off to “commie” camp as a teenager and become editorially involved with The Red Tide, a leftist publication. After waltzing through college, she decided her interests were in gender and sexual politics, and she became the founding editor of the erotica magazine On Our Backs. Yet however heroic Bright’s sexual and political accomplishments may or may not be, one gets the sense that her middle-class activist antics stem more from superficial reaction rather than personal conviction. Throughout, the author’s self-congratulatory tone may prevent readers from fully embracing Bright’s worthy sexually and politically liberating accomplishments. For someone whose career and reputation rests so heavily on being a sex expert and erotica guru, she writes about her own fairly tame sexcapades with a coldly cerebral and often ironic detachment.

Surprisingly dry, uninspiring rendering of a potentially intriguing life story.

Pub Date: April 1, 2011

ISBN: 978-1-58005-264-1

Page Count: 304

Publisher: Seal Press

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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