Bright, who doesn’t quite trust the literary merit of this year’s edition, appends a list of earnest study questions (“In...
Pop sexologist Bright (Full Exposure: Opening Up to Sexual Creativity and Erotic Expression, 1999, etc.) thinks this tenth annual collection marks a turning point because so many of the contributors have moved away from an autobiographical viewpoint to create characters whose sexual desires aren’t synonymous with their authors’.
Actually, the news is even better: This is the first of Bright’s anthologies whose 25 stories can’t be adequately categorized in terms of the characters’ sexual orientation, preferred position, or fetish. That isn’t to say that interested readers won’t find rough-trade gay males (Shaun Levin), drag queens (J.T. LeRoy, Poppy Z. Brite), gender-benders (Adelina Anthony), phone-sex pros (Laurie Sirois), crystal meth addicts (Gary Rosen), murderers (Pam Ward), skin divers (Simon Sheppard), oyster eaters (Debra Boxer), horse fanciers (Alma Marceau, Jane Smiley), gun molls (Lucy Taylor), late-night train passengers (Tsaurah Litzky), and mermaids (Francesca Lia Block) enjoying America’s favorite spectator sport. Most of these stories, however, find a new slant that isn’t reducible to a new thrill, and the best of them create a fullness of experience that goes beyond titillation. Ernie Conrick’s tale of the women’s tennis circuit comes so close to attaching real-life names to its fantasies that it gets a ghoulishly funny charge. The allegedly instructional monologues by Jamie Callan and Stacey Richter make sex sound both antiseptic and scary. Robert Devereaux’s warning about the dangers of simultaneous orgasm is provocative in more ways than one. And Michael Stamp’s fable of sex beyond the grave will touch readers whatever their sexual persuasion.
Bright, who doesn’t quite trust the literary merit of this year’s edition, appends a list of earnest study questions (“In ‘Homewrecker,’ Tina is a somewhat destructive and tumultuous force. Why is it that all the men in this town can’t seem to resist her?”). Ignore them unless you’re in a reading group, and savor an anthology that just might mark this outlaw genre’s coming-of-age.Pub Date: Feb. 1, 2001
ISBN: 0-684-86915-2
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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