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FROM SUFFERING TO SALVE

MY JOURNEY TO HAPPINESS

A sometimes-insightful, if slightly uneven, collection that catalogs a journey from devastation to renewal.

A personal book of poems about overcoming adversity and rediscovering oneself.

This collection focuses on themes of metamorphosis. The first section, “Suffering,” opens with “Weathering the Storm Another Day,” a poem about a contentious relationship in which the speaker refuses to participate anymore. “Cut the Power” describes an effort to leave the past behind and begin again with a clean slate. The speaker of “Gray Is a Warning To Heed” metaphorically evicts a toxic person from their being, and another wrestles with isolation in “Loneliness Called, She Wants You Back.” Zan employs a baseball metaphor to describe a failure at love and a willingness to try again in “Divorce, America’s Favorite Pastime.” A classmate who killed herself is the subject of “Sharing Aloneness With Willa.” The “Scars” section kicks off with “I Became From Where I Am,” a poem about identity and family. In the “Salve” section, the speakers experience a sort of rebirth, reuniting with friends, experimenting with makeup, basking in nature, and opening up to love again. The poet ends the collection on an uplifting note—joyful, determined, and “braving a future unknown.” Zan chooses her words carefully, using vibrant verbs and sensual adjectives, as when she describes how a speaker’s “skin singes,” the “bourbon-orange glow of the sun,” the “velvety / warmth” of coffee, or an embrace “enclosing me like a / weighted blanket.” She also shows a brave vulnerability; the speaker of “10 Truths: If I’m Being Honest,” for example, unleashes a slew of unflattering confessions, including a desire to be anorexic, a contemplation of suicide, and a wish that a husband was dead. Another work, “There Lived a Girl on Birch Lane,” takes on the perspective of a teen who gave up a child for adoption as it explores a theme of abandonment. But the book occasionally veers into melodramatic territory in self-pitying stanzas such as “No one sees / how do I start? / to describe the pain / of my folded heart.” There are a few clichéd similes, as well, including “I savored you like a filet mignon.”

A sometimes-insightful, if slightly uneven, collection that catalogs a journey from devastation to renewal.

Pub Date: Jan. 24, 2021

ISBN: 978-1-94-753604-3

Page Count: 84

Publisher: Turtle Cove Press

Review Posted Online: May 23, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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