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DARKER DAYS THAN USUAL

Young British writer Dunn debuts with a collection of three stories and a novella exploring—with insight and empathy—the darker sides of suburbia. Taking as her setting the farther suburbs of London, which are close enough to that city for a day of shopping but far enough away to be surrounded by fields, Dunn tells stories of the lower middle class—a class edging up into the middle but still constrained by the need to measure out the smallest pleasures with care. A week's holiday spent in a Spanish pension is saved for all year; children's clothes are bought at rummage sales; and the possession of a car is luxury. The narrator of the title novella, a widowed secretary at a small local elementary school, becomes increasingly concerned with the well-being of her assistant Laura, whose two children are at the school. Laura lives in public housing, is withdrawn, and, unlike her flashy sister Cassie, seems to have been neglected by her mother. But as the narrator's suspicions of the childhood abuse of Laura increase, she learns that she herself has failed not only to understand what really happened, but has never appreciated the stifling psychological pressure that her late husband had exerted on her own daughter, Helen. The three stories describe the return home of a much disliked elder stepsister, nicknamed the ``Snow Queen,'' fleeing an unhappy marriage; a daughter attending her mother's 50th birthday party recalling her mother's unhappiness and depression while raising her and her siblings; and a pregnant middle-aged woman being driven to suicide by her elder daughter's powerful malevolence. First fiction from one of those rare contemporary writers who, by giving her characters' lives a certain integrity, makes their plight credible and not simply a lurid venture into suburban gothic. Promising.

Pub Date: Feb. 1, 1993

ISBN: 1-85242-172-X

Page Count: 125

Publisher: Serpent’s Tail

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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