A complex tale of cosmic evil featuring a glamorous, well-developed ensemble.
In Boisvert’s debut sci-fi novel, the first in a trilogy, three people with type-A personalities experience strange enlightenments.
Lanie Montrose is a pop-music superstar with a troubled personal life, known as much for her recreational drug use as for her talent. She’s trying to get clean, but when she overdoses at a party under suspicious circumstances, she’s taken to a clinic in Malibu, California. Soon afterward, Suki Carter, Lanie’s therapist, meets a woman named Becca on the street whom she met at the same party; Becca hands Suki a data stick before she’s killed in front of the therapist in a hit-and-run. Meanwhile, Suki’s childhood friend James Sinclair, a Scottish-born paranormalist and “conspiracy investigator” for the CIA, is tending to his dying mother; he’d long been skeptical of her lifelong ravings about aliens and Knights Templar, but then he sees a strange vision that changes his mind. It’s later revealed that the three main characters have mystical and genetic connections that go back millennia; they’re part of a mass “awakening” going on all over the world as praying mantis–like aliens start mobilizing operatives to prepare for the return of an ancient, evil space being. It turns out that James, Suki, and especially Lanie are key to Earth’s defense against the onslaught. Boisvert drops Danielle Steel–like characters into a New Age–y sci-fi/fantasy plot. Surprisingly, given the planetary stakes, she focuses tightly on her small cast, acutely analyzing the trio’s emotional states as they gradually acclimate to their amazing destinies. She does this so well, in fact, that readers likely won’t wonder too much about whether Lanie is supposed to be Madonna, Britney Spears, or Katy Perry. However, other subplots—about a 9/11–type attack, a pioneering Mars mission, and all the other humans “awakening” to their superpowers—end up being shunted to the margins. More of these details, though, may be forthcoming in future volumes, following this one’s cliffhanger finale.
A complex tale of cosmic evil featuring a glamorous, well-developed ensemble.Pub Date: Sept. 15, 2018
ISBN: 978-1-71982-893-2
Page Count: 436
Publisher: Time Tunnel Media
Review Posted Online: Oct. 9, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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