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THE BALLAD OF SONGBIRDS AND SNAKES

From the Hunger Games series , Vol. 4

The twists and heartbreaks captivate despite tragic inevitabilities.

An origin story for both President Snow and the Hunger Games as we know them.

Coriolanus Snow has the right family name, a prestigious address, talent, and charisma—but unless he wins a prize to pay for university, it’s all for nothing, as his family’s wealth came from the now obliterated District 13. He must succeed in his final project of being a mentor in the Hunger Games, but his District 12 girl tribute assignment at first feels damning. However, Lucy Gray Baird is vibrant and wild, a singer and performer with star power; she’s perfect for Coriolanus, who has been tasked with boosting the grim, lackluster games that, early in the shift from mock war to sporting spectacle, are even more brutal and unpredictable. Coriolanus is pulled between Mengelian Dr. Gaul’s twisted mentorship and connections with sympathetic foils Lucy Gray (which veers romantic) and compassionate classmate Sejanus. Conflicted Coriolanus thinks of himself as a good person in an impossible situation but also as exceptional—a belief with a high price. Collins humanizes him as superficially heroic and emotionally relatable while also using him for a vehicle for philosophical questions. Though readers know how he will eventually answer the questions explicitly asked of him, the central question is why, resulting in both a tense, character-driven piece and a cautionary tale. There is some mention of diversity in skin tone; Coriolanus and Lucy Gray seem to be white.

The twists and heartbreaks captivate despite tragic inevitabilities. (Science fiction. 12-adult)

Pub Date: May 19, 2020

ISBN: 978-1-338-63517-1

Page Count: 512

Publisher: Scholastic

Review Posted Online: May 20, 2020

Kirkus Reviews Issue: June 15, 2020

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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HATCHET

A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.

Pub Date: Sept. 1, 1987

ISBN: 1416925082

Page Count: -

Publisher: Bradbury

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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