A nicely crafted romance that brings a spy novel sensibility to a damsel-in-distress fugitive trope, with entertaining and...
When Nate Stokes, the Earl of Westfall, is hired to track down a murderess, he knows immediately there is more to the story than he’s been told, but he never expects that hunting down the clues will turn his life—and his heart—upside down.
Nate Stokes is an uncomfortable earl. After years as a successful spy under Wellington, he’s had great success taking on many different identities, but being a member of the highest echelons of society sits ill on him. One thing that helps him keep his sanity is solving the odd mystery here or there—usually tracking down lost items or people. But seeking a murderess outside the treacherous boundaries of war is a first, and when a marquis requests his services, Nate jumps at the chance. A little intuition and a great deal of luck take him to the Tantalus Club, the most famous gentlemen’s club in London, and straight into the arms of Emily Portsman, the intriguing, enigmatic figure who becomes his immediate prime suspect. Emily may be many things—brilliant, tantalizing and the first person to truly pique Nate’s interest in years—but Nate would bet his life she’s not a murderer. Good thing, too, since he just may have to. Enoch has penned a winner with this historical romance. It isn’t exactly a romantic suspense novel in the traditional sense, but it has a great deal of external tension that ratchets the internal conflicts of the characters. Nate’s difficulty in settling into the English aristocracy is handled deftly, and his sometimes-awkward attempts both to connect with and to protect his brother and Emily are sweet and tighten the backdrop of his moral struggles, while Emily’s cautious steps to freedom and trust are touching. The chemistry between Nate and Emily is intense, and Enoch does a superb job of using sex as a path to bringing them closer together, while also forcing them to question their own and each other’s motives. The resolution scene is especially fun and well-played.
A nicely crafted romance that brings a spy novel sensibility to a damsel-in-distress fugitive trope, with entertaining and rewarding results.Pub Date: March 26, 2013
ISBN: 978-0-312-53454-7
Page Count: 352
Publisher: St. Martin's
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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