by Suzanne Juhasz ‧ RELEASE DATE: March 19, 2019
An earnest and engaging exploration of aging.
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In this memoir about identity and the aging process, a retired professor contemplates different facets of her life.
At the age of 64, Juhasz (A Desire for Women, 2003, etc.) retired as a professor of English at the University of Colorado, Boulder, and she suddenly had time to revive old passions, like acting. But when acute arthritis and other physical problems put an end to her stage performances, she realized she was utterly unprepared for the realities of aging. The author found it hard to adjust to a time of life when she was no longer middle-aged but not yet old (she calls it “senior space”). Without the stimulation of daily schedules and interactions with colleagues, she was anxious and depressed. Fortunately, she was able to find new interests, such as learning to sing. Six years after retirement, the insecure feelings remained, but dissecting her past and present helped Juhasz to better understand various aspects of herself. In this cleareyed analysis, she intertwines stories from her life—her youthful aspirations, her family, her search for true love, and her work as an academic—with reflections on being a woman and aging. Though her prose is impeccable, a few of her childhood anecdotes can be tediously familiar. For example, when she was an awkward teenager, she had a fight with her mother and wrote about it in her journal. She uses the journal entry to examine her relationship with her mom. In another eye-glazing account she talks about the angst of not feeling pretty in high school. Her more compelling stories occur later, such as her discovery of feminism in 1971. Likewise, the pain she felt while searching for love and coming to terms with her lesbian identity is memorably candid. And her assessment of what it means to be a grandmother is both tender and strong: “I am a caregiver: to my grandchild, my daughter, and her family. What I did felt right, and far from questioning it, I was exalted by it.”
An earnest and engaging exploration of aging.Pub Date: March 19, 2019
ISBN: 978-1-979008-62-4
Page Count: 258
Publisher: CreateSpace
Review Posted Online: July 10, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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