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LINDSEY LOST

Life, death and suspicion in the pressure cooker of high-stakes teen athletics.

Siblings Lindsey and Micah, premiere teen athletes, look forward to lives of athletic greatness: the 2012 London Summer Olympics in track and field for Lindsey and a major league pitching career for Micah. Lindsey is especially focused, maintaining excellent grades and working closely with Coach Kelley—herself a (nonmedaling) Olympian—while Micah struggles a bit academically and is content to bask in Lindsey’s reflected glow. Lindsey’s murder crushes her family’s dreams, casting amnesia-stricken Micah and their cagey father as prime suspects. Micah has lost his entire memory of the day of Lindsey’s death, and he both fears and distrusts his father’s attempts to help him recover it. As Lindsey’s secrets unravel and Micah’s memories of Lindsey’s last afternoon alive slowly return to him, red herrings pile up, but ultimately only Micah—so tormented by the idea that he might have killed the sister he loved and admired that he resorts to increasingly drastic methods of self-cutting—is sufficiently three-dimensional to inspire the page-turning mix of reader sympathy and suspicion essential to a good thriller’s success. When the murderer is ultimately revealed, the result is not so much a satisfying clicking into place of clues carefully planted in past chapters as a shrug-inducing narrative thud.

Readers looking for a twisty, satisfying mystery should look elsewhere. (Mystery. 12-15)

Pub Date: Sept. 13, 2012

ISBN: 978-0-670-78460-8

Page Count: 224

Publisher: Viking

Review Posted Online: July 25, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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THE GOOD BRAIDER

Refreshing and moving: avoids easy answers and saviors from the outside.

From Sudan to Maine, in free verse.

It's 1999 in Juba, and the second Sudanese civil war is in full swing. Viola is a Bari girl, and she lives every day in fear of the government soldiers occupying her town. In brief free-verse chapters, Viola makes Juba real: the dusty soil, the memories of sweetened condensed milk, the afternoons Viola spends braiding her cousin's hair. But there is more to Juba than family and hunger; there are the soldiers, and the danger, and the horrifying interactions with soldiers that Viola doesn't describe but only lets the reader infer. As soon as possible, Viola's mother takes the family to Cairo and then to Portland, Maine—but they won't all make it. First one and then another family member is brought down by the devastating war and famine. After such a journey, the culture shock in Portland is unsurprisingly overwhelming. "Portland to New York: 234 miles, / New York to Cairo: 5,621 miles, / Cairo to Juba: 1,730 miles." Viola tries to become an American girl, with some help from her Sudanese friends, a nice American boy and the requisite excellent teacher. But her mother, like the rest of the Sudanese elders, wants to run her home as if she were back in Juba, and the inevitable conflict is heartbreaking.

Refreshing and moving: avoids easy answers and saviors from the outside. (historical note) (Fiction. 13-15)

Pub Date: May 1, 2012

ISBN: 978-0-7614-6267-5

Page Count: 224

Publisher: Marshall Cavendish

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: May 15, 2012

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